Interview with a Writer ~ Fiona Lindsay

This week I’m delighted to welcome writer Fiona Lindsay to my blog. I think I first met Fiona when she came along to the book launch for my debut, (when Fiona was part of the Romantic Novelists’ Association at the same time as my Mum). That’s the nice part of being a writer and creative – when you become part of a ‘community’ of people who know one another. Case in point, Fiona collaborates with my friend, Rebecca aka Dainty Dora, for her lovely book covers (see above), for her Kirklochy series, and I also collaborate with Rebecca for some of my book covers.

Fiona’s feel-good Kirklochy series is set in a fictional village in Scotland, with an interlinking cast of lovable characters, with each book threaded with emotion, uplifting romance and humour. Read on to find out more about Fiona and her writing life. Links to buy Fiona’s books are at the bottom of the post.

Author biography

Fiona Lindsay grew up in a house full of books, has always loved reading and studied English literature at university, during which time she decided to start writing stories herself. As well as being a writer and seasoned performer, Fiona is an artist and collaborates on the design of her book covers. Fiona has also  published books for other writers.

When did you first start writing?

While at university. I loved books and had enjoyed some so much that I felt inspired to begin writing stories of my own.

What do you write?

I’ve written a series of four romantic comedies and a couple of plays, but I also write shorter stories and observational pieces.

What was your first published piece of work?

A short story called Nothing Special, in an anthology put together by Johnstone Writers’ Group.

Why do you write?

For self-expression, enjoyment and the communication of ideas. I hope to let readers into the world and the characters I’ve created and be entertained by them. Life is random and writing helps to give it some kind of shape.

What, or who, has helped you on your writing journey?

I’ve had a great deal of support and constructive feedback from Caro Ramsay and the other members of Johnstone writers’ group, and also via writing retreats led by authors Alison May and Janet Gover, but many other people have helped me over the years with insightful comments. Local writer, Tracy Patrick, skilfully edited my second novel, while other friends have done sterling work as beta readers. I’m also a member of the Romantic Novelists’ Association’s New Writers’ Scheme and have benefited from it’s critiques.

Also, the “instant feedback” received while performing is very heartening, as you can see at once if a piece of writing has landed. I appreciate the support of local writers Kathryn Metcalf and Gwen McKerrell for encouraging me to get involved.

Share a writing low with us. What did you learn from this?

I met with an agent who said that she loved my work, and would genuinely love to see more of it. I sent the book off to her, and never heard from her again (I understand that this happens to people often). But maybe it can be seen in a positive light also – that a big London agent rated me as a writer, although she didn’t follow through in the end. I learned to be resilient and I published the book – A New Flame – myself despite the disappointment.  

Share a writing high?

I wrote a short comedy play which was a spin-off from one of my novels, and it was selected by a group called Script to Stage to be performed by actors. It was great fun to see my characters brought to life, and also went down well with the audience. Otherwise, whenever someone tells me they, or someone they know, have enjoyed one of my books.

Share some of your favourite lines from reviews, or comments you have received about your work, which boosted your confidence (tell us what piece of work it relates to):

A New Flame:

I thoroughly enjoyed reading this delightful tale of many, very likeable characters. I particularly liked the aspects that highlighted the fact that not all break-ups of relationships are completely clear-cut. The happiest people are those who work through problems of unresolved issues before moving on properly takes place. Love comes in many forms and there are a number of types of love in this lovely read.

The Tide is High:

This is another wonderful story in the Kirklochy series. There are new, young, characters as well as a few familiar ones. Topics of love and grief are sensitively handled as is the transition from teenager to young adult. I read it in 24 hours as I couldn’t put it down!

Any tips for new writers?

Read widely and critically for inspiration and to learn the craft – don’t let the words wash over you. Join a writers’ group for support from other writers who can share their experience and offer constructive feedback.

And for all writers; any tips for keeping motivated? And how do you find time to write?

I think we need to acknowledge that writing is difficult and completing a novel is a lengthy job – so it will be very hard to sustain at times, but know that this is everyone’s experience and we can do it if we persevere. I’d suggest, if stuck and struggling to move forward, if you have a high-octane scene in mind for later in the book, jump ahead and write it and hopefully bring some excitement back. Also, reading an author you admire can be inspiring. Switching off and going for a walk or a swim is also helpful, as both make you think more constructively.  

Do you have a regular writing routine, or do you write in frantic bursts?

I don’t have a regular routine, but write whenever I have some free time to focus on it.

Where do you write? (A dedicated space, or on-the-go)

I live in the middle of a university campus, so I often write in the library, or else at the table in my cosy kitchen.

Any stand-out books you have read recently?

Julia, by Sandra Newman. It’s a retelling of George Orwell’s 1984, but from the point of view of Julia, Winston Smith’s lover.

Where can we find out more about you, and your books?

Links to buy Fiona’s books: (click on the title)

The Consolation Prize

Do Not Disturb

A New Flame

The Tide is High

Find Fiona on Facebook: https://www.facebook.com/tartanrouge

Happy 1 year book-versary to Young Blood

This time last year I released my Young Adult crossover thriller Young Blood out into the world so I thought I’d do a post to mark the milestone.

This week I am also running a give-away alongside Ornate Alchemy on Instagram, where you can win one of their beautiful custom-made Bloodstone pendants , and a signed copy of Young Blood. If you live in the UK head over to our Instagram pages to enter: @victoriagemmellauthor @ornatealchemy You have until 5pm Friday!

It always feels strange once a book reaches publication. You spend years perfecting the story, (I’ve not yet mastered a quick turn-around), pouring a lot of heart and soul into the pages, spending hours with the characters in their world, and then suddenly it’s not just in your head anymore; it’s out there on paper for anyone to read. And then you go through a mix of emotions when you realise people are buying the book and actually reading it. What will they think? Will they enjoy it? Will they get past chapter one? Will they like that character as much as you enjoyed writing them? Will they get angry and emotional in the right places? It always delights me (and fills me with relief), when someone tells me they finished my book and loved it. This happened actually at the weekend when a friend’s mother-in-law told me how much she enjoyed Young Blood and was interested enough about the story to ask me about the inspiration behind it.

She said something along the lines of, ‘You write in a lovely way.’ These kinds of comments are so appreciated; I don’t think people realise how much writers need to hear this sometimes. Not to feed our egos, but to motivate us to keep going. I’m at the early stages of writing a new book just now and it always feels like a tricky stage, when nothing is fully formed and you are constantly questioning if this is any good or if it’s the most boring trite that you’ve ever attempted. The characters haven’t all appeared yet, and the ones who have, are still not showing you their true motivations; the setting is still taking shape, the plot has lots of holes and you’re not quite sure what’s next, but you are hoping if you keep writing all will be revealed.

In Scotland, where I live, we’re not very good at celebrating our achievements, often downplaying ourselves in self deprecating ways. Oh you enjoyed my 100,000 word novel, och that was nothing really. Just a little thing I did. Actually it was a big thing, and I locked myself away in a room by myself for hours on end to get the words just right and showed up, and didn’t give up, and saw it all the way through to the final end of being able to hold the finished copy in my hands…

Here’s some extracts from some favourite feedback and reviews I’ve received about Young Blood since it’s release. One of them was written by my Dad; you might think that’s embarrassing and a total faux pas to even mention, a bit like the bad example pitch emails to agents ‘My Mum told me this is the best thing she’s ever read in her life so I know this is going to be a best-seller.’ But actually my Dad hasn’t read much of my work over the years (no slight to him; he doesn’t read much teen fiction, believe it or not! And now he is retired he also has more time on his hands). I think he was maybe a wee bit surprised by how much he actually enjoyed Young Blood, and I was delighted that he did.

The standard of writing is superb, with excellent descriptions of characters and locations without becoming boring. As the mystery progresses you desperately want to find out what is going to happen. This thriller is a compelling read for the YA market and adults alike and I’m not just saying this because I’m Victoria’s Dad! Great Christmas Gift! (hey people get your Christmas shopping in early! – that’s me adding in this comment)

Wow!

Only 19% in and I was on tenterhooks and by half way through I was desperate to know what happened and took it to bed with me. Definitely not conducive for sleep but I just couldn’t put it down.
I loved the twists and turns that had me gasping. Credit for the author. I definitely recommend. A brilliant read!

Thrilling and involving, this is one not to miss.

Young Blood, the latest YA novel by author Victoria Gemmell is not a story for the faint-hearted….These characters are not cardboard cut-outs. They are richly developed, with flaws as well as virtues. Faced with almost impossible choices, a group of teenagers find the courage to challenge the powerful figures behind the conspiracy even though they know that their chances of winning are almost zero.

I was gripped by the story from the start- was a real page turner and was desperate to read on and discover how the plot developed! Can’t wait to read more from this author!

Captivating. This book is made for the big screen.

Great read! Really gripping and loved the character of Hope. Would make a fab film. (Hi, Netflix, are you reading?)

Loved it. Every bit as accomplished as a Good Girl’s Guide to Murder

Have I tempted you yet to take a chance on Young Blood?

If so here’s the links to Amazon to buy: and wider digital channels here: Order into bookshops here and here Abbey Books in Paisley might also still have a copy kicking about

(P.s It’s only £1.99 on kindle just now which is way cheaper than a nice coffee, and it will get your heart racing just as much as caffeine, and the buzz will last longer…)

Inspiration is Everywhere #Part 3 (blog post 6 of series

Continuing with the theme of sharing where I find inspiration for stories, today’s post is about the inspiration behind my Young Adult books. I’m cheating a bit with this post and extracting a section from a blog post I wrote back in 2022, where I went into quite a bit of depth already about the inspiration behind my debut YA mystery, Follow Me, and my second YA mystery, Promise Me. You can read the full post ‘Stranger than Fiction’ here

My latest YA Thriller, Young Blood, was also inspired by an article I read in the press, so it fits nicely with the theme of paying attention to what you read in the news. Just like I talked about in last week’s ‘inspiration’ post, the best stories can be formed from things that catch your attention in ‘real- life’, if you add in the ‘What if’ question, and let your imagination run wild…

News headlines often catch my eye and act as a catalyst. When my imagination takes over, and characters start to form, a story of fiction then unfolds, where I imagine what would happen if fictional teenagers were placed in these situations I read about.

Numerous reports of the unexplained Bridgend suicides stayed with me for years .There were twenty-six known suicides in the town between 2007-2008, and most of those who lost their life were young adults. I remembered opening newspapers at the time, wondering what on earth was going on in that town.

In my book Follow Me my 17-year-old protagonist, Kat, begins a desperate search for answers and explanations, after her twin, Abby, is the sixth in their small Scottish town to die by apparent suicide.

A big theme of my YA mystery, Promise Me, is the way in which press coverage and social media has the power to portray a certain narrative during high profile, emotional murder cases. One of the inspirations of the story was my memory of the sensationalist press coverage of convicted Scottish teen Luke Mitchell from many years ago. From 2003-2005 there was lots of press coverage around his case. Demonising language and character assassination was often used in reporters’ narratives (With headlines like ‘Devils Spawn’ appearing on front page reports).

The headline ‘Boyfriend, 15, charged (with murder of schoolgirl Jodi Jones)’, was published in the Edinburgh Evening News, (2004) before said boyfriend (Luke) even went to trial. Everyone in their small-knit town knew he was ‘the boyfriend’.

The paper took things a stop further and named him. The Press and Journal, Aberdeen, also ran a similar story. They faced contempt charges but were cleared of breaching the Criminal Procedure (Scotland) Act, that states “no newspaper report of any proceeding in court should identify anyone under the age of 16.” (In Scotland this is now 18). They were cleared of charges because judges ruled that the story was not a report of court proceedings. This is just one troubling example of how a fifteen-year-old boy, (and throughout his trial when he was sixteen), dominated headlines. Numerous false ‘facts’ were published about the case, and tabloids delighted in running sensationalist reports about Mitchell’s apparent obsession with knives, drug-taking, lack of discipline in a single parent household, even linking his music tastes to the murder.

I read a lot about the case and it made me realise how easy it could be for a small community to spread rumours relying heavily on hearsay and perceptions of a local outcast boy’s ‘reputation’, and how this could influence local prosecution investigations, and a jury. Conversations I’ve had with legal people where I questioned how anyone could truly be impartial in such a high profile case said a judge would have ensured jurors had no local connections to the case. The trial took place in Edinburgh, less than half an hour away from where the murder took place. I was reading newspaper stories an hour away from where it all unfolded and still felt emotional reactions to the reports, even if I didn’t personally know anyone.

My book Promise Me is a work of fiction, set in an affluent fictionalised Scottish village, and not about the Mitchell case, but I hope it makes people think about how damaging media and indeed, court narratives can be, and the distorted perceptions that communities can sometimes have of young people who don’t quite ‘fit’. In my job I’ve undergone unconscious bias training and I really believe the police involved in this case let a lot of their own unconscious bias (and media pressure to get a conviction), influence their decision-making. If you have an interest in finding out more about this case I recommend the brilliant podcast Through the Wall by Naomi Channell.

My latest YA thriller, Young Blood, is a story about young people in the care system who are kidnapped and taken to a secret house to become exclusive plasma donors for an elite group of wealthy adults who want to stay youthful and healthy. It’s told from the perspective of two teenagers – Ana who is outside the house and dealing with the realisation her mum may have early onset dementia; and Hope who is captured and taken to the house.

Young Blood was inspired by an article I read about an American start-up company ‘Ambrosia’, founded by a medical school graduate in 2016 which sold ‘young blood transfusions’ (from young people into older people). Charging a large sum of money for these transfusions, they claimed a range of health benefits such as treatment for Alzheimer’s. In a pitch about Ambrosia at a self-enhancement conference in 2017 Karmazin said, “We’re a company interested in making you young again.” In my day job I work with vulnerable teenagers. I see how much instability and uncertainty young people in the care system in particular can face. This sparked off the idea of having a powerful doctor set up a premium club who can access pure plasma transfusions from a select group of young people who are easy to make ‘disappear’, whilst maintaining a super-controlled environment within ‘the house.’

Links to buy my Young Adult books are here

I often take along strange news headlines to creative writing workshops I deliver in schools and get the class to choose one as inspiration for a story. A popular headline lots of pupils chose last year was, ‘Girl discovers criminal living in her attic.’ I love hearing the ideas form, and characters that start to develop. It also shows that we can all start with a similar idea, but when you create your own unique characters a truly unique story also starts to take shape…

Why not spend the week looking up interesting headlines, and see if it sparks off any great story ideas!