Tag Archives: inspiration

Interview with a Writer ~ Layla Blackwell Part 2

Posted on by vgemmell
Layla with her beautiful dog Mable Photography – Caroline Finn

Welcome back to Part 2 of my Interview with my writing friend, Layla Blackwell. If you haven’t already, you might want to go and read Part 1 first, where you’ll learn a bit more about Layla’s initial writing journey. You can view that post here.

So let’s return to our chat….

What keeps you motivated?

My coaching work. It’s that wee moment, when you’ve grabbed someone and given them a wee golden nugget, and they’ll go away, and they’ll think about that. I’m now able to use my own experiences; experiences that might have been rubbish for me, and I’m now able to help and support others. They’re getting the benefit of my full life experience. I can reassure people that they will find their own way, in their own time.

What led you into Disability Empowerment Coaching?

You know, it’s really funny, the work I’m doing now is the complete opposite to the work I thought I would do. For the first part of my life, I was running away from essentially being a disabled person because I didn’t like the label. 

It wasn’t until I started playing basketball, with the Scottish Women Warriors basketball team, when I was 28, my perspective changed. I’ve written an article about that. (You can read this brilliant article Full Circuit here, published in the Clydesider magazine ).

It changed my life in a second, when I went through the doors of the Gym Hall.

Immediately somebody rolled up to me, which is weird in itself, because you’re looking at people at eye level. This woman rolled up to me, and immediately said, What’s wrong with you? I was thinking, Rude! You could at least say hello.  But then I remember looking at her face and realising, Oh, she’s using this as a way to connect with me. So I told her I have Cerebral Palsy, And she said, Great, and then rolled away again.

The Basketball Team changed my perspective of disability, and that’s effectively what I’m doing now through my coaching. I’m teaching people with disabilities not to run away from the label, but to change what the label means to them. And that’s what I’ve spent this next, best part of my life doing; just redefining what disability means to me.

So, instead of it being a point of shame, it’s now a point of pride. I can tell people, I’m a Disability Empowerment Coach, that’s what I do.  And I mean the middle part (Empowerment), more than I’ve probably ever meant anything in my life.

It was meeting the team that has led here, pushing me past the point I thought I was capable of. I spent about two years trying to say no to everything, and then I got told, ‘Well, that’s not acceptable. And someone’s coming to collect you..’ They wouldn’t let me say no!

How did being part of the Basketball group influence how you approach things today?

Working with the Warriors Basketball Team taught me you can complain, and that’s fine, but if you don’t actually help and make change, then you’re not going to get what you want.

The more I did, the more I also began to understand a couple of things. When it comes to disabilities, mostly people aren’t arrogant, they’re ignorant.  I’m actually asking people to understand something that is out with the realm of their understanding.

So that’s the first thing, and the other thing is people are actually afraid of it, because having a disability is the one group you can join at any time. And so that is actually a problem when it comes to trying to make people think about disabilities as they don’t want to think about that scary prospect.

When you join the disability community, there are a lot of angry people that think society should know about disability and they shouldn’t have to advocate for themselves, and it should all just be done. And I think that’s an arrogant point of view, because again, you’re asking people to have an understanding of something they have no concept of. Because if you think about it in terms of freedom, which is the big one for us, right, independence and freedom is the thing that we all want; having autonomy over our own selves firstly, and then independence, and then freedom.

Freedom is a thing we don’t have, (true freedom), and freedom is a thing you don’t even think about.  So from that perspective, I don’t know how people expect others to just understand.

If we’re not prepared to educate, then we’re just putting up with arrogance and ignorance. So, I just decided, if people are going to listen, I’m willing to educate them. I thought, You know what?  I’m gonna start telling people the way it is.

You can tell people, ‘This is the problem’ but I’ve learned if you don’t actually explain how it affects you, and how to fix it, then they can’t really understand.

When I write articles for the Clydesider, I don’t like to say they’re inspiring, but they definitely have to be positive. When I address a problem, then I will tell you what the effect of that fix would be like. For example, if there were easier ramps on every train, that would mean I could go anywhere, whenever I wanted, which is something I’ve never been able to do. It’s getting better, but it’s still not ideal. People need to understand what the issues are, but also what that means in terms of life. It’s that last bit, that helps people understand more. A lot of disabled representation, depending on what media you access, can be pretty biased.

I feel a responsibility where I have a voice and I have the ability to use it, so that’s kind of why I do what I do. I also think it’s important to do it with a sense of humour. For goodness sake, it needs to have a sense of humour to it, because at the same time, nobody cares, ‘tiny violin playing’ (Layla laughs here), so make it so you’re not just moaning all the time. I’m quite shocked really, the amount of really negative disabled people there are. In a way that gives me great job security (this is some of Layla’s humour coming across here!). It is good to share answers on posts and forums and stuff, about everyday problems, connecting and thinking ‘oh right, that’s normal then’. 

I always say to people: You’ve got two choices. Change it, don’t change it. But you know, complaining doesn’t get you anywhere.

Any more advice you would give to people who want to make a change, or influence change, and maybe don’t know where to start?

Big systematic change is really difficult; you’re not going to be able to do that by yourself. But you can make individual change, every day easily, by having a conversation.

And for me goal setting has been important.

If this year has taught me anything, it’s that I don’t know what my own capabilities are. Every time I achieve something, I’ve got to raise the bar as to what I thought I was capable of. If I don’t know what I am capable of, other people certainly don’t.

It sounds kind of silly, but the answer to do things, is always do it!

I love this. I think all writers need to hear this too! Just do it.

Yes, because if you’ve got nothing to work on, no one can help you. The worst that can happen is you can’t work commas and you come back and go, it’s still a bit shit. You’ve got to start somewhere. Everyone starts at the beginning, you can’t start at the finish. And I think that the three seconds of bravery, (in the basketball hall), follows me, as I don’t put pressure on myself anymore to know what I’m doing. I used to think fear was this negative thing, but what I realised is I can be afraid, and still achieve. I just need to acknowledge that, oh actually, this scares me a wee bit. And then I think about why it scares me, but I don’t let it stop me. I just do it anyway. Stop seeing fear as a problem, see it as a challenge. Everyone’s afraid. Once you’ve done it, you’re not afraid of it again.

Wise words from Layla to end on.

Thanks again, Layla, for sharing so many great insights, and trusting me with your words. My blog is just a small attempt to share your words with a wider audience. I am sure anyone reading this will feel inspired and motivated.

Good luck with your writing and coaching!

Again, if you want to connect with Layla, you can find her here:

Website: https://www.laylabecoaching.com/about

Instagram: https://www.instagram.com/laylabecoaching/

Facebook: https://www.facebook.com/laylabecoaching

LinkedIn

Interview with a Writer ~ Layla Blackwell Part 1

Posted on by vgemmell
Layla with her gorgeous dog Mable
Photography: Caroline Finn
From the Clydesider Magazine Issue 32

Last week I decided to do something a bit different. I asked my writer friend, Layla Blackwell, if I could interview her for my blog, but this time I wanted to have a more in-depth conversation, so we chatted via Zoom for over an hour. As well as finding out more about Layla’s writing journey, I asked her if she would also tell me about her recent endeavours as a Disability Empowerment Coach, (see Layla’s Coaching website, Layla BE Coaching here). I have to thank Layla for trusting me to transcribe an interview containing over 6,000 words of pure honesty, vulnerability and humour. Not all of our chat made it onto the blog, (we had gossip to catch up on too!), but there was still enough that I wanted to divide this interview into a Part 1 and Part 2, to give Layla’s story the full impact it deserves. So please come back tomorrow evening when Part 2 goes live.

Having this chat, and then re-visiting Layla’s words as I typed them up for the blog, had me feeling so proud, in awe and inspired. I met Layla way back in 2011 (I think!), at a writing networking event I used to regularly attend in Glasgow, called Weegie Wednesday. (I met lots of great writers here, and have fond memories of the years I attended). I love seeing the amazing things Layla has accomplished so far, and I am in no doubt that the best is yet to come for Layla’s writing and coaching/advocacy career. Watch this space.

Biography

Bravery is often defined as ‘courageous behaviour or character.’ For Layla, it’s been a lifelong practice. Born prematurely in November 1987, Layla weighed no more than a bag of sugar. She wasn’t expected to survive. At age two, Layla was diagnosed with cerebral palsy.

Growing up with disabilities meant Layla was surrounded by professionals, and a protective Mum, who all told her what she wanted, thought, and felt. Layla became a people-pleaser, cautious and fearful of a world that wasn’t designed for her. But the moments that changed Layla’s life all came from facing her fears head-on.

From seeing her first piece of creative fiction in print at the age of 21, to joining a women’s wheelchair basketball club at the age of 28, Layla discovered that disability wasn’t just something to ‘overcome’- it could be a point of pride. She found her voice, strength and a community. It showed Layla she was capable of more than she ever believed.

Since then, Layla has been become a published journalist, an advocate, and now a certified ICF life coach.

Why do you write?

I started writing for two reasons. One; talking frustrates me…as much as I do it, and I do a lot of it, talking frustrates me, because it’s difficult to get words right all the time. And I find that a lot of the time, when I have conversations, like when I have this one today, I’ll probably go away and think, you know, I really wanted to say some other stuff, and I forgot to. Or I’ve gone off on a tangent. When you write, you have time to go back and think; this is what I want to put across.

Secondly, from a disability perspective, writing is one of the careers that puts you on an even keel, because you don’t have access issues, and nobody knows you have a disability unless you declare it. It was one of the only careers where I felt everybody was kind of equal to me immediately.

When did you first start writing?

Professionally speaking, I started writing when I was 21, and when I joined Glasgow Writers’ Group. That’s when I learned what professional writing entailed, and then I got published when I was 21.

That leads me on nicely to my next question; what was your first published piece of work?

A short story which appeared in the anthology, A Thousand Cranes: Scottish Writers for Japan (published in 2011 by Cargo Publishing). One of the members of the Glasgow Writers’ Group had links to Japan, and it’s a charity anthology, raising money to support victims of the Haiti tsunami.

I will say my first piece was heavily, heavily edited by editors. Very kindly done, but heavily edited. I don’t actually remember too much about it, because I wrote it one way, and it turned out another. (Layla goes on to talk about how much she learned from initial feedback during this group later on).

Another story almost didn’t get published when I was 21. This was another anthology, with an Australian Press, and was again through a member of the Glasgow Writers’ Group who put me in touch with their publisher and I wrote a couple of pieces for them. After a couple of submissions, they said they were going to publish my work. The editor had given me lots of edits to work on. At first, my work came back absolutely heaving with red pen. And that’s quite difficult when you start off, because it immediately just knocks your confidence, and you think, I might actually just be rubbish at this. It kind of knocked the wind out my sails a wee bit.

I went back and corrected what he asked, but then accidentally sent through the wrong version for my final submission (making it look like I hadn’t fixed any of the issues!). His response to that was he wasn’t prepared to edit it again, but he did, and it went in (there was a lot going on behind the scenes). It taught me the importance of always responding to things professionally.

What did you learn from your experiences connecting with the Writers group (and editors)?

You very quickly learn not to take the red pen personally.

I had been in the Glasgow Writer’s group for a year and nobody would ever give me feedback on what I wrote. And it really annoyed me, because these were quite well known, successful writers, and I really wanted to learn from them. So eventually I was just like, I never get feedback, and I don’t understand why!

And they said, Well, mostly it’s because we don’t want to upset you. Nobody wants to upset you, because we like you.

And I was like, Right, fine, but at the same time I won’t learn, so what are you trying to say?

And basically, it was because the way I was writing was not great. When I was younger in school, people used to take notes for me, scribing for me (due to Layla’s cerebral palsy). So, I actually didn’t really learn sentence structure particularly well.

When I wrote things for the group to read, it was really long sentences and commas were in places they shouldn’t be. Looking back, it must have really frustrated everybody to the point where they could almost not read my work. Instead of saying to me, they were thinking, We don’t want to upset her, and we don’t want to put her off.

I was like, You should have just said to me, and I could have fixed this a year ago!

So then effectively, what I did was I removed all commas from my work for a year ‘till I learned how they worked, and I just kept the sentences really short.

And then I said, Can you at least read this?  Is it readable? They said yes!

Then I started to put the occasional comma back in…

It was a turning point, and I then actually started to get feedback on things.

People often think I’m this frail wee thing that they need to be careful of. And I’m like, Just tell me!

What’s really nice now is when I submit work to my editors (at the Clydesider), my editor makes me laugh as she tells me she loves it when I send my work as she doesn’t need to do anything to it. That’s great. I mean, when I think back.

We’ve covered some of this question already in the answers above, but, Who, or what, has helped you on your writing journey?

To be honest, you helped with a bunch of things (thank you Layla). There have been a lot of people that have helped me on my journey, like my friend Fleur, who I first met through the Glasgow Writers’ Group, and then she also came along to Weegie Wednesday, the writing network event (where we met). Fleur gave me feedback on a lot of things. I’ve been really, really lucky.

But I think, to be honest, it’s my own ability to ask for help and the desire to improve and to learn that has helped me a lot to develop my writing.

If I’m writing a particular format, like when I started doing interviews, I didn’t just write it. I went away and I looked and learned: This is how you structure an interview. I paid attention to the structure, before I sent it off (to my editor).

Do you have any stand-out experiences relating to your writing?

The most recent interview I did for the Clydesider, with Sister Rita, talking to her about her work at St Margaret’s Hospice in Clydebank.  I was actually front cover for that issue, as I was a featured volunteer in it, and then I had my article with Sister Rita.

I feel like I’ve outdone myself after that. (You can read Layla’s brilliant article ‘A Call to Peace’ here , in the Clydesider magazine).

What advice would you give other writers starting out?

There’s definitely a difference between when you start to write professionally and when you write for fun. And I’m now at the point where people will say to me, you’re a writer, can you look at my work? I now understand how the people in the Glasgow Writers’ group felt when I submitted my work at first.

The first question I always ask is, why are you doing this? Are you doing this for fun? Or are you doing this because you want to be published?

Because if you want to get published, the feedback I would give you is different. If you’re writing for fun, then I’m just going to tell you – the answer is just to write. To be published, you have to look at the format, and different things, that take you from the slush pile to somebody actually taking your work seriously.

But also it just changed my mentality from writing for the sake of writing, to how you write to be published, and actually also the level of detachment you have to have to actually get published. Being really precious about what you’re writing, to a certain extent, is stupid, because it’s going to go through various versions.

What experiences were pivotal for you to expand into different types of writing (moving away from fiction), and also into your coaching work?

When I went through a breakup this year, I decided, right, if you’re going to implode your entire life, then you better make the next bit you do better, like, psychologically. I’d say to myself, Being afraid isn’t necessary anymore, because you faced kind of the worst.

You know, I’ve done a lot this year that I never really thought I was capable of. I’ve done some speaking engagements where I spoke in front of 70 women. (Layla gave me permission to embed an extract of a video she sent me of the intro to the talk she delivered during International Women’s Day. See the bottom of the post for this video).

That experience kind of changed my life. It was weird how it came about. I had been in counselling and wasn’t quite ready to go things alone, so my counsellor introduced me to her daughter, Anne, who is a life coach, who could support me, but also tell me a bit about how to do coaching (something I was becoming interested in).

I think I had been Anne’s client for about a week, and this is the magic and scary thing about life coaching, how this all transpired for me…

Anne said, ‘What goals do you have?’ I told her I wanted to be an advocate for disabled people, but that I’m shit scared of public speaking. It really scares me. I don’t like doing it, but I told her, I need to do it.

Anne came back to me, and said, I’m running an event for International Women’s Day, and I need a speaker.

At first, I was like, Oh, that’s nice.

Then Anne said, That speaker is you.

My initial response was, I beg your pardon?

Anne related it to me saying I wanted to do coaching and explained to me that This was coaching. I set a goal; I achieve the goal.  She told me she would help me go through my speech so I felt ready and happy to do it, and then on the day, she was going to be there to support me. She said, So you’re going to be able to achieve that goal. That’s coaching.

I realised this is what I’d been wanting my entire life, is literally somebody to go, You’re afraid of doing that. So, I’ll help you, and go with you. Then it’s less scary.

The thing that really changed my life that day was in the section of my talk, called, Ask a disabled person a potentially embarrassing question. (Layla joked this really needs an acronym.)

I thought I would get silly questions like, ‘Do you sleep with your wheelchair?’ Which I had once and I chose not to answer, because it filled me with rage. So anyway,  I expected silly questions, and then a woman stood up and said, ‘I’ve got a son with disabilities, and I’m just wondering if you have any advice as to how to advocate for him properly?’

One of the things I remember in this moment was everybody was kind of in my eye level (as we were sitting facing one another), which was nice, and strange. And I remember looking at her face, and in my brain, I thought ‘Oh!’,  because I was just really expecting a silly question.

I admitted this to her, and then said,  ‘But you’ve asked me a really important question, so if you don’t mind, I’m going to take a wee minute so I can give you a good answer, rather than just the first answer that pops into my head.’

And so I took a wee minute and I said, ‘Look, the best answer I can give you, and is the same answer I actually told my sister in regards to my niece, because my niece has a disability. The advice I gave to her is essentially to teach your child who they are; backwards, forwards, upside down, in every situation.

‘Teach your son who he is, I said, ‘Because the world is going to spend all of its time telling him who he should be, what he wants, what he needs, what that means, what his life should be like, and if he doesn’t know the answers for himself, he’s not going to be able to live the life that he deserves to live. That’s all my 38 years of experience in every room I have been in.’

I had a wee moment where I was choked up because I realised I’d hopefully just changed that wee boy’s life, even although he’ll never meet me.

I’m sure you would have had the whole room in tears (Layla confirmed she did).

I know you’ll be changing lots of people’s lives with your words, Layla.

Here’s an extract of a video from the introduction of Layla’s inspiring talk from that day:

Layla at an International Women’s Day talk, earlier in the year

I’m going to finish Part 1 of Layla’s interview here.

Part 2 will be going live tomorrow evening. Please come back to read more about another pivotal moment in Layla’s life, which she refers to as her ‘three seconds of bravery’, where her perspective about her disability changed, which ultimately led her down new pathways with her writing, and to become a Disability Empowerment Coach.

You can connect with Layla on these platforms:

Website: https://www.laylabecoaching.com/about

Instagram: https://www.instagram.com/laylabecoaching/

Facebook: https://www.facebook.com/laylabecoaching

LinkedIn:

Interview with a Writer ~ Rosemary Gemmell

Posted on by vgemmell

This week I’m delighted to welcome my writer Mum, Rosemary Gemmell, technically back to my blog, as Rosemary featured in one of my first ever author interviews, as part of a blog challenge series I did a couple of years ago in November. For this reason I let her choose between mine and my husband’s questions (from last week), to mix it up a bit this time around.

My Mum has been a massive inspiration; penning a range of wonderful books, stories, poetry and articles (as well as academic essays).

It’s thanks to my Mum I felt encouraged from a very young age to develop my writing, and then have the confidence to share it with the world (I don’t think many people are lucky enough to have that type of support from a parent). We often discuss ideas, and what we’re working on. I always trust my Mum to give me insightful and honest feedback, and am very grateful for her technical wizardry and excellent editing!

Read on to find out more about a lovely collection of Rosemary’s work titled Words for All Seasons, which would make a perfect Christmas gift!

Author Biography

​Rosemary Gemmell is a Scottish novelist and freelance writer based in central Scotland. Rosemary writes contemporary and historical fiction, with occasional short stories, (many of which have won prizes), children’s fiction, articles and poems. Her short stories, articles and poems have been published in UK magazines, the US, and online.

When did you first start writing?

I first wrote creatively at high school when I went through a teenage, romantic phase and adored poetry and literature in general, so I started writing my own poetry. It was many years later before I moved on to articles, then fiction.

What do you write?

I write a little of everything: novels, short stories, articles, poetry, children’s fiction, and even a little bit of drama years ago. I’ve had lots of work published over the years and last year, I decided to put together a celebratory collection of new and previously published stories, articles and poetry along with some of my photographs to illustrate certain pieces. It was partly to highlight the different types of creative writing I enjoy and the book is divided into the four seasons – see below for a review.

Why do you write?

I write to entertain and communicate but also for self-expression and to make sense of the world, especially in non-fiction and poetry.

Share some of your favourite lines from reviews, or comments you have received about your work, which boosted your confidence (tell us what piece of work it relates to)

I’ve been lucky and honoured to have many wonderful reviews for my different books and appreciate each one as they encouraged me to keep writing. However, I don’t even mind a less praiseworthy review as long as I can learn from it.

As a change from my novels, this is a lovely review for my most recent collection, Words for all Seasons, that was published last year (in e-book, paperback and hardback):

What a treat it has been to read Words for All Seasons by Rosemary Gemmell. Her recently published collection of short stories, articles and poems is ideal for dipping into when you have a few moments to spare. The variety ensures there is something to please everyone. Conveniently divided into the four seasons, this is a book you will want to visit – and revisit – no matter what the season.

Any tips for new writers?

Keep reading, as that’s how we best learn what works and what doesn’t, and what type of writer we aspire to be.  And don’t give up at the first few hurdles – we all have to learn as we go, as in any other creative pursuit.

Do you have a regular writing routine, or do you write in frantic bursts?

Neither of the above! I’ve never really had a proper writing routine, much as I’ve often tried. I’m usually more creative in the morning but tend to write when I feel like it, or in short timespans. Sometimes, the less time I have, the better I write – perhaps because I get bored sitting too long at one task.

Where do you write? (A dedicated space, or on-the-go)

My absolute favourite way to write is in cafés or on trains with pen and paper. I’m never distracted by what’s going on around me and can happily sit in my own little bubble of creativity. Beats sitting at home on the computer, though I do have a study where I then type up what I’ve written.

Where do you get your inspiration for your books?

Inspiration for my novels often begins with characters and setting. I’m not so interested in plotting (a weakness) as characters are most important to me as a reader and writer. Once I have an initial idea, I just write and let the characters play as the story develops. I usually have a vague idea of what the story will be about and where it will be set but I like to be surprised by where each book takes me.

What do you think about the concept of AI written books?

We won’t be able to turn the clock back on AI but I hope we never get to the stage of accepting it as a way to write books, especially fiction, although I know it’s already being used. Fortunately, AI is unlikely to ever express our unique human emotions in the same way we can (I hope).

What do you do to get into a ‘creative headspace’?

If writing in my study at home, I love music playing in the background, usually classical, easy listening, or Celtic – sometimes according to what I’m writing.

Where can we find out more about you, and your books?

My website is the best option for a complete overview of all my published books:

https://www.rosemarygemmell.co.uk

Buy Words for All Seasons here

Twitter X @rosemarygemmell (I sometimes take part in #haikusaturday)

And Instagram @rosemarygemmell

Interview a Writer ~ Victoria Gemmell *yes, me

Posted on by vgemmell


This week I’m doing something a bit different on the blog to fill a gap for a planned post (which will be coming soon…). I thought about just having a week off, but then decided to ask my husband to fire some questions at me last night, with the resulting interview posted below.

Author Biog (taken from my About Me page) :

Where do you get your inspiration for your books?

Headlines and articles in the news acted as a catalyst for the plots within all three of my YA Mystery/Thrillers. I imagined what would happen if fictional teenagers were placed at the centre of dark situations, (unexplained teen suicides in Follow Me; possible miscarriage of justice in a media obsessed teen murder case in Promise Me; the unveiling of an elite group who kidnap young people from the care system to extract their pure plasma to stay young in Young Blood) My teen protagonists start to uncover hidden truths that adults have been oblivious about, endangering themselves in the process. It’s not until my characters start to form, that the full story will start to unfold.

What do you do to get into a ‘creative headspace’?

Once a book starts to take shape I like to create a playlist for it on Spotify, choosing music which fits the ‘mood’ of the story. To this day there’s one particular Silversun Pickups album that I just need to hit play on and it takes me right back to the emotions I felt when I started to write Follow Me. Finding the right tone and ‘voice’ for a book can be challenging, and music helps me switch off the over-thinking part of my brain. When I’m thinking too much about a story I know it’s not working yet. You need to feel it.

What new book are you working on?

I’m attempting to write a middle-grade magic realism type story. I also have an idea for an adult thriller which might start to take over, so who knows which one I’ll finish first. At this rate it’ll be neither.

What do you think about the concept of AI written books?

Honestly I find it infuriating and worrying. About three years ago we started to talk about AI in work (in my day job as a careers adviser) and the impact it might start to have on certain careers. The topic was brought up on a regional staff day online and a colleague in another region flippantly said, ‘My friend has just written a children’s book with AI and is now selling it on Amazon’. I had to hold myself back as he was actually boasting about it; like it was an amazing achievement. There’s a lot of people out there who I think love the idea of writing a book, and saying they have done so, and love the idea of making money from it (ha, they’ll soon learn). The magic of writing for me is when your brain unlocks almost a super-power you don’t understand yourself; when characters form, ideas and words flow, and it all somehow connects together into a story. Often stories fall flat and don’t work out, and that’s important too. Trying, shaping and learning, and re-writing, and tapping in to your imagination. We’re already being brain-washed by algorithms and dopamine rewards online, which is disrupting our attention spans and the ability to feel ok being bored or at peace…and that’s when we do our best daydreaming and tap into our imagination. (I don’t think it’s a coincidence that I do some of my best thinking these days in the shower or bath!). I don’t want AI to steal our imaginations. It kind of feels like something from the plot of the Never Ending Story when Fantasia is threatened by ‘The Nothing’.

What do you find difficult subjects to tackle?

I shy away from writing anything which involves high-concept epic world-building (think space sci-fi series where characters have unpronounceable names.) I get bored reading this kind of thing, so I know I’d get bored writing it too, and I’d be really bad at it.

What do you enjoy writing about?

I love writing mysteries where I often don’t really know what has happened so I enjoy seeing the plot unfold as my characters develop. That’s the best kind of writing, where you feel like you’re the reader and the plot master rolled into one, and it’s amazing how much you can trust your subconscious to fill in blanks you haven’t even seen. (It’s often why I need to go back to re-write my endings as my characters take over and take me by surprise).

Where can we find your books? (click on highlighted links)

Young Blood: Amazon (paperback and kindle) on worldwide Digital platforms Order into: Waterstones Foyles

Promise Me: Amazon (paperback and kindle) on worldwide Digital platforms Order into: Waterstones Foyles

Follow Me – please contact me direct for a signed copy

Interview with a Writer ~ Fiona Lindsay

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This week I’m delighted to welcome writer Fiona Lindsay to my blog. I think I first met Fiona when she came along to the book launch for my debut, (when Fiona was part of the Romantic Novelists’ Association at the same time as my Mum). That’s the nice part of being a writer and creative – when you become part of a ‘community’ of people who know one another. Case in point, Fiona collaborates with my friend, Rebecca aka Dainty Dora, for her lovely book covers (see above), for her Kirklochy series, and I also collaborate with Rebecca for some of my book covers.

Fiona’s feel-good Kirklochy series is set in a fictional village in Scotland, with an interlinking cast of lovable characters, with each book threaded with emotion, uplifting romance and humour. Read on to find out more about Fiona and her writing life. Links to buy Fiona’s books are at the bottom of the post.

Author biography

Fiona Lindsay grew up in a house full of books, has always loved reading and studied English literature at university, during which time she decided to start writing stories herself. As well as being a writer and seasoned performer, Fiona is an artist and collaborates on the design of her book covers. Fiona has also  published books for other writers.

When did you first start writing?

While at university. I loved books and had enjoyed some so much that I felt inspired to begin writing stories of my own.

What do you write?

I’ve written a series of four romantic comedies and a couple of plays, but I also write shorter stories and observational pieces.

What was your first published piece of work?

A short story called Nothing Special, in an anthology put together by Johnstone Writers’ Group.

Why do you write?

For self-expression, enjoyment and the communication of ideas. I hope to let readers into the world and the characters I’ve created and be entertained by them. Life is random and writing helps to give it some kind of shape.

What, or who, has helped you on your writing journey?

I’ve had a great deal of support and constructive feedback from Caro Ramsay and the other members of Johnstone writers’ group, and also via writing retreats led by authors Alison May and Janet Gover, but many other people have helped me over the years with insightful comments. Local writer, Tracy Patrick, skilfully edited my second novel, while other friends have done sterling work as beta readers. I’m also a member of the Romantic Novelists’ Association’s New Writers’ Scheme and have benefited from it’s critiques.

Also, the “instant feedback” received while performing is very heartening, as you can see at once if a piece of writing has landed. I appreciate the support of local writers Kathryn Metcalf and Gwen McKerrell for encouraging me to get involved.

Share a writing low with us. What did you learn from this?

I met with an agent who said that she loved my work, and would genuinely love to see more of it. I sent the book off to her, and never heard from her again (I understand that this happens to people often). But maybe it can be seen in a positive light also – that a big London agent rated me as a writer, although she didn’t follow through in the end. I learned to be resilient and I published the book – A New Flame – myself despite the disappointment.  

Share a writing high?

I wrote a short comedy play which was a spin-off from one of my novels, and it was selected by a group called Script to Stage to be performed by actors. It was great fun to see my characters brought to life, and also went down well with the audience. Otherwise, whenever someone tells me they, or someone they know, have enjoyed one of my books.

Share some of your favourite lines from reviews, or comments you have received about your work, which boosted your confidence (tell us what piece of work it relates to):

A New Flame:

I thoroughly enjoyed reading this delightful tale of many, very likeable characters. I particularly liked the aspects that highlighted the fact that not all break-ups of relationships are completely clear-cut. The happiest people are those who work through problems of unresolved issues before moving on properly takes place. Love comes in many forms and there are a number of types of love in this lovely read.

The Tide is High:

This is another wonderful story in the Kirklochy series. There are new, young, characters as well as a few familiar ones. Topics of love and grief are sensitively handled as is the transition from teenager to young adult. I read it in 24 hours as I couldn’t put it down!

Any tips for new writers?

Read widely and critically for inspiration and to learn the craft – don’t let the words wash over you. Join a writers’ group for support from other writers who can share their experience and offer constructive feedback.

And for all writers; any tips for keeping motivated? And how do you find time to write?

I think we need to acknowledge that writing is difficult and completing a novel is a lengthy job – so it will be very hard to sustain at times, but know that this is everyone’s experience and we can do it if we persevere. I’d suggest, if stuck and struggling to move forward, if you have a high-octane scene in mind for later in the book, jump ahead and write it and hopefully bring some excitement back. Also, reading an author you admire can be inspiring. Switching off and going for a walk or a swim is also helpful, as both make you think more constructively.  

Do you have a regular writing routine, or do you write in frantic bursts?

I don’t have a regular routine, but write whenever I have some free time to focus on it.

Where do you write? (A dedicated space, or on-the-go)

I live in the middle of a university campus, so I often write in the library, or else at the table in my cosy kitchen.

Any stand-out books you have read recently?

Julia, by Sandra Newman. It’s a retelling of George Orwell’s 1984, but from the point of view of Julia, Winston Smith’s lover.

Where can we find out more about you, and your books?

Links to buy Fiona’s books: (click on the title)

The Consolation Prize

Do Not Disturb

A New Flame

The Tide is High

Find Fiona on Facebook: https://www.facebook.com/tartanrouge

Interview with a Writer ~ E.S. David

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This week I’m delighted to welcome another Scottish based YA author, E.S. David, who writes Young Adult fantasy. His debut Trials of Aqouril will be released next month, (the first in an adventure fantasy series), and sounds very intriguing. Read on to find out more about E.S. David’s book and writing life.

Good luck with the release!

Author Bio

E.S. David is a Scottish author of young adult fantasy, inspired by his country’s ancient fables and stories. He likes to capture the reader’s attention with complex and relatable characters and throw them into unpredictable environments to see how they cope. Outside of reading/writing, E.S. David loves watching a good film or tv series and drinking far too much tea.

When did you first start writing?

Shortly after I finished university. I used to travel down to London on the train to visit friends and family and would work on my writing during those long journeys. Over the pandemic, I spent more time working on my debut novel and trying to develop my style of writing.

What do you write?

I mostly write YA fantasy. I love thinking about sweeping lands, magical elements and morally complex characters and mixing them all together to create a story. I am currently working on an adventure fantasy series with the first book due to be published at the end of November 2025.

What was your first published piece of work? (or about to be published work)

That will be “The Trials of Aqouril”, which will be published in November this year. It’s about a teenage girl – Erica Brooks – who ends up being transported to an enthralling world called Aqouril where she discovers she has elemental powers. In order to find out why she has been brought here, she has to undergo a series of trials to learn the truth about Aqouril and how it links to her past.

Why do you write?

I write because I wanted to challenge myself to come up with something imaginative, exciting and above all, original. I see the challenge of writing a book being a bit like completing a jigsaw puzzle. Except the jigsaw pieces are blank and only show the full picture once it’s been completed! Writing encourages you to be innovative, take risks and see where your story and characters take you and that’s what I love about it.

What, or who, has helped you on your writing journey?

My family, friends and girlfriend have all been very supportive of my writing and are all excited for the debut of my first novel. I also take a lot of inspiration from stories in history to help me come up with ideas for future events in my stories.

Share a writing low with us. What did you learn from this?

The biggest low – which I’m sure is common for a lot of writers – is being rejected by agents/publishers. It’s like being turned down for a job when you’ve put so much time and effort into researching and rehearsing what you’re going to say. To be a writer, you have to be persistent and willing to take onboard constructive criticism about your writing. On the other hand, you also need to back yourself and your ideas as you might just need to find the right publisher/agent for you.

Share a writing high?

The biggest high was getting my contract through for my first novel to be published. In a month or so, I’m sure that will be replaced by my first ever publication day. However, the initial thrill of finally getting the publication of my first book underway has been a dream of mine for years and I’m very grateful that The Book Guild have given me the opportunity to share my story.

Any tips for new writers?

I feel like a new writer myself so I’m probably not the best person for advice! My biggest tip though would be to never give up on your ideas. They might not be for everyone and you might need to reflect on any critiques you are given, but if you are open to developing your writing, you give yourself a much better chance of achieving your goals.

Do you have a regular writing routine, or do you write in frantic bursts?

I try and dedicate at least one evening a week to doing some writing, whether that’s editing a chapter I’ve written or working on a new one. It can be difficult with work and other commitments, but it’s important to find time to get into your writing space and chip away at it.

Where do you write? (A dedicated space, or on-the-go)

I have a desk in my flat that I tend to write at. I also have a playlist of films scores and other music I find moving to get myself into the right mindset.

Any stand-out books you have read recently?

I’m just back from holiday where I got to read Pet Semetary for the first time. It’s my first Stephen King read as well! I thoroughly enjoyed it, even if it did give me chills!

Where can we find your book, and find out more about you?

Links to book: https://bookguild.co.uk/bookshop/young-adult/the-trials-of-aqouril

https://guardianbookshop.com/the-trials-of-aqouril-9781835743270/

https://www.waterstones.com/book/the-trials-of-aqouril/e-s-david//9781835743270

Find E.S. David on Instagram, X and Threads: @esdavidauthor

Interview with a Writer ~ Denise Brown

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This week I’m delighted to welcome writer Denise Brown to my blog. Denise writes Young Adult mystery thrillers and when I read her debut I am Winter a few years ago, (now re-released as We Know What You Did), it stood out to me as it was so raw and real, with well drawn and believable characters. I always get excited when I come across other YA mystery writers who base themselves in Scotland, and loved finding out more about Denise’s writing journey, and tips! (Note to self: keep my phone off when I’m writing). It’s reassuring to discover I’m not the only one who doesn’t always follow a structured plan. Read on to gain an insight into Denise’s writing world…

Denise Brown is a freelance ghostwriter, proofreader, and copy editor, who still pinches herself some mornings that she gets to sit at her desk and write stories for a living. She often wishes that she could go back and tell her eight-year-old self that it’s okay to daydream because that’s where the magic happens.

Born in East London, Denise has now settled in Scotland where she feels certain she must’ve lived in a previous life. She loves dogs and snow globes and has a teensy obsession with Jack Skellington.

Her debut YA murder mystery I Am Winter was published by Hashtag Press in 2021, relaunched in November 2024 as We Know What You Did. Her second novel, It All Started with a Lie, followed in February 2024. Her third murder mystery No One Keeps a Secret was published in August 2025.

When did you first start writing?

I always loved books. I suffered from chronic shyness as a child – still do to be honest – and books were my escape from having to interact with people. It was the same with writing stories. But when I left school, writing wasn’t an acceptable career choice for a teenager from East London, so life took over, as it does. I got married, had babies, and repeated the process a second time. So, it wasn’t until later in life, when my children were growing up that I realised it was finally time to focus on me. I began studying for an English literature degree with the OU, took an advanced creative writing course, and have been writing ever since.

What do you write?

Personally, I write mystery thrillers for young adults, although I’m also working on a middle grade book too right now. As a ghost writer – I’ve been writing full-time since the pandemic – I mostly write niche romance and some omegaverse.

What was your first published piece of work?

It was a gritty YA novella called The Devil on Your Back, published by Salt. This was fresh out of my creative writing course and was a huge ego boost!

Why do you write?

Because writing is now like breathing. I can’t imagine a world without books or writing. I’ve been writing every day for the last twelve years, and stopping now would be like giving up food or air or my dog!

What, or who, has helped you on your writing journey?

My children have always been extremely supportive. They believed in me even when I had no belief in myself. Impostor syndrome is still there, but I think I’ve learned to deal with it more effectively these days. But I think the real turning point for me was being longlisted for the Bath Novel Award. It was the justification I needed to carry on despite the rejections because someone liked my writing and believed that my story was worth reading.

Share a writing low with us. What did you learn from this?

My first book I am Winter was noticed by a couple of people. A literary agent requested the full manuscript but decided not to proceed because she felt that it was too young adult for her list. Then I signed a contract with a relatively new publishing company, only to find a few months later that the book was too mature for their list.

What I learned from this is that a book will be discovered by the right person at the right time, and no amount of querying will ever alter this. If it isn’t a right fit for both author and publisher, then it is time to walk away and try again.

Share a writing high?

Well, the first one has to be the day I received an email from Helen and Abiola of Hashtag Press, telling me that they wanted to publish my first book I am Winter. Without them, and their relentless passion for their authors, I wouldn’t be sitting here now talking to you.

But I’d like to share another one with you also. In December 2023, I attended an Indie Book Launch with lots of other indie authors at Foyle’s Charing Cross to promote my second book It All Started with a Lie. While I was there, a reader came over and told me that she’d come specifically to meet me because she loved my first book so much. It was the best feeling, knowing that someone had read my book and enjoyed it that much!

Share some of your favourite lines from reviews, or comments you have received about your work, which boosted your confidence (tell us what piece of work it relates to)

A reader wrote this about my first book I am Winter, and it literally brought tears to my eyes because it was more than I could’ve ever hoped for when I first started writing:

“This YA novel has my heart, and Summer all my love.” (Summer is the main character)

But this (below) has to be one of my favourite quotes for It All Started with a Lie, simply because it’s honest and straight to the point, and it made me laugh:

“Every character was likeable, except the murderer. And Jed. F**k Jed. But everyone served a point (even Jed).”

Any tips for new writers?

Write every day, even if it’s a hundred words. No writing is ever wasted. And read for pleasure every day too. Because while you’re reading, your brain is subconsciously absorbing what works and what doesn’t.

And for all writers; any tips for keeping motivated? And how do you find time to write?

I write full-time, so the second question doesn’t really apply. But what works for me to keep me motivated is to never have a fixed outline to follow. I realise that this won’t work for everyone, but I find that I get easily bored if I don’t allow the characters to do their own thing within a loose storyline. Also, switch off your phone! My phone is always on silent. Which annoys my daughters when they’re trying to get hold of me while I’m working.

Do you have a regular writing routine, or do you write in frantic bursts?

I follow the Pomodoro Technique of writing in twenty-five-minute bursts and then taking a break from my laptop for five minutes to make a cup of tea, or do some hoovering, or cuddle the dog!

Where do you write? (A dedicated space, or on-the-go)

At my desk. Since my daughter recently moved out, I now have an entire room dedicated to my workspace, with views of the woods in the distance which is lovely. Unfortunately, I’m not one of those people who can write anywhere. I’ve tried writing on train journeys, but I suffer with motion sickness, so it simply doesn’t work for me, and cafés are too distracting.

Any stand-out books you have read recently?

The Mermaid of Black Conch by Monique Roffey. It’s a retelling of The Little Mermaid, and is so charming, and so beautifully written that I didn’t want it to end.

Other books that I absolutely adore are:

Imaginary Girls by Nova Ren Suma (quite possibly my favourite book ever)

We Were Liars (of course!) by E. Lockhart

And more recently:

The House in the Cerulean Sea by TJ Klune

Happyhead by Josh Silver

Where can we find your books, and find out more about you?

Denise’s books can be bought in Waterstones, WH Smiths (now TG Jones) and on Amazon

Author website: About | Denise Brown Author

Instagram: Denise Brown Author (@denisebrownuk)

Interview with a Writer~Yasmin Hanif

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Today I’m really excited to welcome my friend and writer, Yasmin Hanif, onto my blog. I first met Yasmin at an informal Writers’ meet up group, where we do writing sprints and chat about our projects, and the ups and downs of the writing life in general! (and drink nice tea and eat snacks). Yasmin has been so encouraging about my own books and writing; a real cheerleader for other writers, and this has helped me stay motivated (more than she probably realises!). I was so delighted when Yasmin told me her amazing news that Floris were going to publish her debut picture book, Abdullah’s Bear Needs A Name! and even more delighted to attend her launch at Waterstones the other week (thank you Yasmin’s Mum for the very tasty Samosas and Pakoras, and to Floris for the cake!). It’s a beautiful book and I wish Yasmin lots of success with her writing career. Read on to find out more about Yasmin’s writing journey, with links to buy her book at the bottom of the post.

Yasmin is a Scottish writer and educator, specialising in children’s literature. She was shortlisted for the Kavya Arts Prize in 2023 for her story which became her debut picture book, Abdullah’s Bear Needs A Name! (Floris, 2025). She has contributed to various poems in anthologies including ‘Daisy’s Mum’ in Stay At Home (Cranachan Publishing, 2020). She was a writer in residence at a primary school and worked on their project to promote diversity and inclusion within children’s writing and publishing, which won the SAMEE Aspiring Writers Award and the Scottish Education Curriculum Innovation Award 2022. 

When did you first start writing?

I don’t remember exactly when I first started writing but I remember that I started storytelling from a young age. My sisters and I would make up stories and act out the characters that we had created when we were little. I think that started my love for stories and writing.

What do you write?

I write all genres of children’s writing from picture books, poetry, middle grade to young adult. I also delve into short stories and poetry for adults too.

What was your first published piece of work?

I think my first written, fictional piece of work was a poem called ‘Daisy’s Mum’ in the Stay at Home anthology by Cranachan Publishing. This was a collection of specially curated poems and stories by 40 writers based in Scotland to help children aged 8-12 deal with the lockdown during the pandemic.

Why do you write?

There are so many reasons why I write from seeing the joy on people – especially kids’ faces – to the connection it brings between people, ideas, and experiences. I love the sense of humanity it brings out – the connectivity through emotions. I also love engaging with people when writing is performed whether that’s through readings or the discussions it brings about.

On a broader stroke, I think writing and bringing literature to as many people as possible is important for education and improving literacy levels; particularly making children more critical thinkers, and for them to be empowered for their future. Finally, I also enjoy creating something from scratch and I hope that my words have a positive impact on those reading them.

What, or who, has helped you on your writing journey?

So many people and things from writing communities to courses. However, I think the biggest thing that has helped me is finding like-minded people who also write in your chosen genre. They have been very supportive and it’s useful and encouraging to speak to different people at different stages of their writing career. I also worked with a local primary school in the West of Scotland when I started out as a writer. The experience I gained from that was also invaluable.

Share a writing low with us. What did you learn from this?

I had been subbing out my stories for a while and at that time I had also become unemployed from my main (non-writing) job. I kept getting rejection after rejection and it really felt like I was going nowhere. I was just about to give up when I got an email from a publisher saying they loved my book and were taking it to an acquisitions meeting. I really needed that. I learned that hard times can last a long, long time but the most important thing is that they don’t last. So never give up or at least keep going.

Share a writing high?

I recently had my debut book launch at Waterstones, and it was a real dream come true for me. I had friends and family there and did a Q&A and reading from the book. It was a surreal moment being on that stage answering questions and engaging with the audience. There was also homemade food which was themed with the Eid feast in the book and a bookish cake with good chatter. I was on a high from it for about 2 and half days after it!

Share some of your favourite lines from reviews, or comments you have received about your work, which boosted your confidence (tell us what piece of work it relates to)

As I mentioned, I recently had my debut picture book, Abdullah’s Bear Needs A Name! published (illustrated by the very talented Sophie Benmouyal) and received a wonderful review by Kids’ Literature Scotland:

“A beautiful and necessary book. It is wonderful when Scottish children from all cultural backgrounds see themselves reflected in stories…This gorgeous picture book is an encouraging step on that journey.”   

Any tips for new writers?

I would say keep writing, learning, experimenting in your practice and meeting like-minded people. Soak it all up and enjoy the process – from that will come your creativity and possibly your best pieces.

And for all writers; any tips for keeping motivated? And how do you find time to write?

Motivation and finding the time to write can be two of the most challenging things. Through motivation you write, and conversely through writing you find motivation, so it goes hand in hand. As I mentioned about find likeminded people to write with, whether that’s informal creative writing groups, workshops, retreats – somewhere where others are writing too, which helps you stay motivated and accountable.

Do you have a regular writing routine, or do you write in frantic bursts?

I do write in frantic bursts! I always use the phrase, ‘I try to steal time if I can’ – what that means is finding little pockets of time whether that’s 5mins or 25mins!

Where do you write? (A dedicated space, or on-the-go)

I mostly write at home, but I find I do need to switch it up occasionally to keep inspired so I’ll write in my local library or with a friend in a public space like a university or café.

Any stand-out books you have read recently?

I like reading autobiographies and memoirs, and really enjoyed Matthew Perry’s memoir, Friends, Lovers and the Big Terrible Thing. I found it incredibly honest, raw and captivating.

For children’s literature, I’m currently reading The Highland Falcon Thief by M.G. Leonard and Sam Sedgman. I’ve only started reading it but so far so good!

Where can we find your book and find out more about you?

Links to buy Yasmin’s book here: Yasmin Hanif books and biography | Waterstones

Abdullah’s Bear Needs a Name! – DiscoverKelpies

You can follow Yasmin on Instagram:  @yhwrites

Interview with a Writer ~ Lynsey Helen Mitchell

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Today I’m delighted to feature debut author Lynsey Helen Mitchell on my blog. Lynsey is a friend and colleague. We work in different offices now, and I was excited when I found out Lynsey had completed her Young Adult horror book. Not for the faint-hearted, The Dark Twin, is a perfect tense read for when the nights draw in, and you want to scare yourself a bit…. Here’s Lynsey’s interview below, and I wish her lots of luck with her writing career (have to add I admire the motivation to write in the morning before work!). Links to Lynsey’s social media and where to buy her book are at the bottom of the post.

Biography

Lynsey was born in Clydebank and studied Creative Writing and English Literature at Middlesex University, graduating in 2011. She is employed as a careers adviser, and lives in the West of Scotland with her boyfriend and cat and they are expecting their first baby boy. Lynsey recently released her YA horror, The Dark Twin, which is her debut book.

When did you first start writing?

I started writing when I was a child, always enjoying any opportunity to write stories as part of my school work, and spending time at home writing stories. I would enjoy writing stories and poems about the family pets and different friends and family members.

What do you write?

I mainly enjoy writing fiction – short stories and longer pieces. I love horror and thrillers, so all of my stories are around this genre.

What was your first published piece of work?

The Dark Twin is my first published piece of work, although I’ve been published on a website for winning a short story competition before.

Why do you write?

Because I love it. I find it therapeutic to just get lost in my story and switch off from the real world.

What, or who, has helped you on your writing journey?

Speaking to other writers, like Vikki and learning about their experiences. The book On Writing by Stephen King gave me a lot of insight into the mind of one of my favourite writers and how they found their (very successful) writing style. Taking part in challenges like NaNoWriMo help me to become productive. While it doesn’t produce a finished product, it helps to start a first draft and to get a proper feel for my story.

Share a writing low with us. What did you learn from this?

After losing my mum in 2013, I had so much going on, that the last thing I could think of was sitting down to write. I took the opportunity the following year to take part in NaNoWriMo to get myself motivated again and this helped me to rediscover my love of writing.

Share a writing high?

Publishing The Dark Twin. It was the NaNoWriMo project that sat on my shelf for far too long, so I was proud of myself for finally getting it published.

Share some of your favourite lines from reviews, or comments you have received about your work, which boosted your confidence (tell us what piece of work it relates to)

Some of the comments I received about The Dark Twin include:

“I couldn’t sleep a wink after reading it.”

“Couldn’t put it down.”

Any tips for new writers?

Find a routine and style that works for you. Some writers advise to write every day, but that doesn’t work for me. I prefer to write when I feel inspired.

And for all writers; any tips for keeping motivated? And how do you find time to write?

Like I’ve said, challenges like NaNoWriMo help to motivate me to sit down and write. In the last few years, I’ve found myself being more productive in the mornings, getting up a little earlier before work and getting some writing in before I start.

Do you have a regular writing routine, or do you write in frantic bursts?

I’m definitely more of a frantic burst kind of person. If I love what I’m writing, the story comes. Sometimes I feel like I need to write it down before I forget it!

Where do you write? (A dedicated space, or on-the-go)

I definitely don’t have a dedicated space. It doesn’t work for me. Sometimes it’s the kitchen table, sometimes the couch. Just wherever I feel most comfortable.

Any stand-out books you have read recently?

A few great books I’ve read recently include Keep it in the Family by John Marrs, Incidents Around the House by Josh Malerman and A Good Girl’s Guide to Murder by Holly Jackson.

Where can we find your book, and find out more about you?

A link to buy The Dark Twin: https://www.amazon.co.uk/Dark-Twin-Lynsey-Helen-Mitchell/dp/1068161507/

Author Website: https://lynseyhelenmitchell.co.uk/

Instagram: lynseyhmitchellauthor

TikTok: @lynseywrites

Interview with a Writer ~ Rachel Sargeant

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After months of blogging about own my writing journey I thought it would be interesting to gain an insight from other writers about their paths to publication, inviting them to take part in an ‘Interview with a Writer’ feature. Today, I’m delighted to welcome prolific and talented writer Rachel Sargeant to my blog and I hope you enjoy reading about her journey as much as I did. Rachel has been a supportive online writing friend and reading her answers below really cements the importance of surrounding yourself with an encouraging community.

Read on to find out more about Rachel and her fabulous books (I’m reading The Roommates just now and it’s a page-turner!).

Rachel Sargeant is the author of The Perfect Neighbours; The Good Teacher; The Roommates; Her Deadly Friend; and Her Charming Man. After many years in Germany, she now lives in Gloucestershire. Her hobbies are visiting country houses and coffeeshops, watching amateur theatre and travelling with her husband to visit their grown-up children in various places around the world. She also likes chatting about books with readers and writers on her blog.

Thank you, Victoria, for inviting me to take part in an interview. I look forward to reading your interviews with the other authors taking part.

When did you first start writing?

Writing was my favourite activity at primary school. In my own time at home, I wrote a comedy sketch, a musical and… a bodice-ripper. I think the idea for that came from a story I read in a magazine in the dentist’s waiting room. When I got to secondary school, homework took up time, so I forgot about writing.

Years later, I moved to Germany and became a mum. On a rare night out, I went to a summer ball. A palm reader was present as part of the entertainment. She read my palm and was insistent I should write, so I did. That was 26 years ago, and I haven’t stopped since.

What do you write?

Crime, suspense and psychological thrillers

What was your first published piece of work?

A few months after the palm reader in Germany told me to write, I went to a writing workshop in Shrewsbury. The tutor was crime writer David Armstrong, the father of a (at the time) young, hopeful screenwriter by the name of Jesse Armstong, much later of Succession fame. David set a five-minute exercise about a crime scene. Feedback from him and the other students on my effort was really encouraging.

On the way home I bought a copy of Writing Magazine and saw an advert for their Crime Short Story competition. Buoyed up by the positive comments from the workshop, I expanded my hundred-word exercise into a sixteen-hundred-word story and, in a stroke of beginner’s luck, won the competition. That story became my first published piece of work when it appeared in the magazine’s competition supplement.

Why do you write?

I love getting ideas for plots, characters and settings from my head onto a piece of paper. I don’t really know why, but I feel as enthusiastic about writing now as I did as the eleven-year-old producing risqué historical fiction.

What, or who, has helped you on your writing journey?

My husband provides the means and opportunity for me to write and is my biggest cheerleader. As a press officer by profession, he comes up with innovative ways to promote my books.

Lots of other people have helped and continue to help. The greatest influence on my writing has been the students I met on my distance learning Creative Writing MA in 2013. When we were allocated to syndicates to exchange work, the four students in my syndicate transformed my writing life. They gave constructive but encouraging feedback, and I read their submissions in genres and styles I hadn’t encountered before.

Ten years on from the end of the course, I still exchange work with three of them. They’ve read the early drafts of all my novels and my PhD thesis. They are Fergus Smith, Peter Garrett and Jessie Payne, all excellent writers.

Share a writing low with us.

I worked on my MA portfolio for two years, but six weeks before it was due to be handed in, my tutor told me to rewrite it.

What did you learn from this?

What kept me going was the balanced perspective and support of my syndicate. They read vast sections of the re-write. The fourth member of the syndicate, Jenny, said to me. “I admire your resilience.” I’d never thought of myself as resilient, but at that moment realised I was. I keep that in mind whenever I have a writing setback.

The experience also taught me flexibility. There is a need to frame writing for specific audiences. I was tasked with rewriting my project to give it its best chance in front of the MA examiners. After the course, with more feedback from my writing buddies, I rewrote the portfolio again as a commercial thriller and secured an agent. The book was published by HarperCollins and became a bestseller.

Share a writing high?

I’m enjoying a writing high at the moment. The novel I spent four years writing as part of my PhD has found a home. The publisher, Hera Books, made the announcement this week. An Ordinary House will be published in 2026 under my new penname Rae Starling. Readers and authors have been leaving comments to congratulate me. It’s lovely to feel part of the book world.

Share some of your favourite lines from reviews, or comments you have received about your work, which boosted your confidence (tell us what piece of work it relates to)

I was touched when the late Nicki Richards, a lovely blogger and sadly missed, named The Roommates as one of her favourite reads of 2019.

I’ve been overwhelmed by the kind comments about my Gloucestershire Crime Series from readers I’ve met in person. I sometimes do book signings close to my home in Gloucestershire. Although I’ve lived here 15 years, I’m not from the county and I’ve taken liberties with Gloucestershire landmarks, renaming some, moving others around and completely inventing a few. I’m always nervous how my authorial reshuffle will go down with local people, but they’ve told me they enjoy working out what places inspired the settings.

Any tips for new writers?

Read, read, read and write, write, write.

The best way to get a feel for a genre is to immerse yourself in reading recent titles in that genre. You’ll absorb the rhythm, tone, characterisation, structure and descriptive style.  

And keep having a go yourself. In my experience, first drafts are hard; editing is easier, but you can’t edit a blank page.

And for all writers; any tips for keeping motivated?

Join writers’ groups. Perhaps take a formal course and meet fellow writing students. Engage with writers and readers on social media. Review other people’s books. Big up their new publications. Being part of a lovely tribe is a great way to feel motivated.

And how do you find time to write?

I’ve been writing full-time since October 2018. Before that, I wrote in the evenings after work. Before that I snatched an hour when my children were at after-school clubs.

Do you have a regular writing routine, or do you write in frantic bursts?

I usually deal with social media and read emails before I get out of bed, then sit at my desk from 9.30am. Apart from stopping to go to the shop or deal with chores, I’ll work through until 6pm. If I have a deadline, I might work in the evening too. I usually take weekends off.

Where do you write? (A dedicated space, or on-the-go)

A spare bedroom is my study. If the weather’s nice, I write or edit in the garden. Sometimes I’ll take a change of scene with a coffeeshop visit or simply sit in a different room in the house.

Any stand-out books you have read recently?

My standout read of the year so far is Her Many Faces by Nicci Cloke – clever angle, clever plot.

Other humdingers include:

The Crime Writer by Diane Jeffrey

Coram House by Bailey Seybolt

The Surfacing by Claire Ackroyd

Unknown by Heather Critchlow

I could go on. My Best Books of the Year post in December is going to be long.

Where can we find your books and find out more about you?

Link to buy Rachel’s books: https://t.co/89T86a9pon

Website: https://www.rachelsargeant.co.uk/

Twitter: @RachelSargeant3

Facebook: https://www.facebook.com/rachelsargeantauthor/

Bluesky: @drrachelsargeant.bsky.social

Instagram: https://www.instagram.com/rachelsargeant3/

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