I often say I know a book is working when my characters start to take over. This is why I believe you can plan a rough outline and key aspects of the plot, but you have to give your story and characters permission to deviate from the plan. Just like real life, you can try to plan ahead but often external factors will throw your plans into chaos, or often throw up something better/unexpected.

When creating fully formed characters, until you get to know them properly they’re not always going to fit into your plotlines. You’ll often see writers suggesting you construct ‘characters studies/profiles’ in advance – like what’s their favourite band, foods, key moments from their childhood, are they are a morning/afternoon person? Which can all be helpful, but until they turn up on your page and get stuck into the action of your story and start interacting with your other characters none of that is going to tell you much about where they fit in to the bigger picture of your plotlines.

For my first two YA mysteries my characters told me what was going to happen, meaning I had to deviate from my planned endings. Neither of the original endings felt right. They were both written in and left there for quite a while. I couldn’t quite figure out why the endings didn’t sit well with me until I asked myself ‘but would that character actually do that?’ And then I realised I hadn’t stayed true to them and as soon as I understood this and let go of my own pre-conceived ideas, and really listened to my subconscious, it was obvious they’d already laid out all of the clues for me. Yes, we writers really do have voices talking to us in our heads. An acceptable kind of madness, in this mad world of novel construction.

During the planning stages for Young Blood I always knew I would have two main teen protagonists, Ana and Hope. I wanted to have two contrasting personalities and two contrasting situations. Ana and Hope’s narratives run through alternate chapters. 16 year old Ana is part of a tight-knit family and hasn’t really faced many challenges in life, which gives her a bit of a self-absorbed naivety. The uncertainty of her mum’s potential early-onset dementia diagnosis really shakes up her world. She is also upset when her new friend Hope disappears, and tries to find out what happened to her.

When I first started to plan the story I always thought Ana would dominate as her determination to find out what happened to Hope is a key driver of the plot. But then when my character Hope started to take shape I think she took over a bit!

15 year old Hope’s world was torn apart when she lost her mum three years previously and she finds herself in the care system. Her experiences have been lonely and unsettling and Hope welcomes Ana’s friendship until she’s taken from school one day and finds herself in the ‘House.’

I found writing Hope’s character emotional and her strength and fire, along with her vulnerability, was something I tried really hard to capture throughout the book. Her close bond with Seb in the house, and other key characters inside, also helped to flesh out other aspects of her personality and I started to grow very fond of and protective of her. So far she is probably one of my favourite characters I have written.

Throughout the book Hope finds strength from her family’s tarot cards.

My sister-in-law who makes beautiful handmade silver jewellery (see ImiandtheDeer here) gave me great support with the structural edits of Young Blood (she is a former English teacher!) and half-joked about designing a necklace inspired by Hope as part of a new collection. I was blown away when she gifted me the beautiful ‘Hope’ pendant below at my book launch. The pendant is a one-of-a kind – a ruby set in the middle of a gold sunburst, inspired by the back of Hope’s tarot cards which have a ‘ruby red jewel in the centre of blazing suns burning bright.’

That’s me wearing it on a recent trip to Arran. It’s so lovely to have a piece of jewellery to wear inspired by one of my characters! It makes Hope seem even more real to me.

I’ll leave you with a longer extract from a scene with Hope below. Links to buy Young Blood are here

“A reassuring warmth flowed through my body as I was greeted with the familiar image of a lion with magnificent orange mane, a goddess with flowing fair hair gripping the chain wound around his neck. Strength: You have more strength, power, and courage than you know. I felt the tight knot of anger I’d been carrying around the past few weeks start to unravel as I remembered Mum’s instruction, any time she drew this card for me, tugging on my hair which matched the fire of the lion’s mane. You are the lion AND the goddess. You remember that.
I tucked the card into my schoolbooks for a good luck charm.
Tomorrow I was going to try to be both.”