Interview with a Writer ~ Layla Blackwell Part 1

Last week I decided to do something a bit different. I asked my writer friend, Layla Blackwell, if I could interview her for my blog, but this time I wanted to have a more in-depth conversation, so we chatted via Zoom for over an hour. As well as finding out more about Layla’s writing journey, I asked her if she would also tell me about her recent endeavours as a Disability Empowerment Coach, (see Layla’s Coaching website, Layla BE Coaching here). I have to thank Layla for trusting me to transcribe an interview containing over 6,000 words of pure honesty, vulnerability and humour. Not all of our chat made it onto the blog, (we had gossip to catch up on too!), but there was still enough that I wanted to divide this interview into a Part 1 and Part 2, to give Layla’s story the full impact it deserves. So please come back tomorrow evening when Part 2 goes live.

Having this chat, and then re-visiting Layla’s words as I typed them up for the blog, had me feeling so proud, in awe and inspired. I met Layla way back in 2011 (I think!), at a writing networking event I used to regularly attend in Glasgow, called Weegie Wednesday. (I met lots of great writers here, and have fond memories of the years I attended). I love seeing the amazing things Layla has accomplished so far, and I am in no doubt that the best is yet to come for Layla’s writing and coaching/advocacy career. Watch this space.

Biography

Bravery is often defined as ‘courageous behaviour or character.’ For Layla, it’s been a lifelong practice. Born prematurely in November 1987, Layla weighed no more than a bag of sugar. She wasn’t expected to survive. At age two, Layla was diagnosed with cerebral palsy.

Growing up with disabilities meant Layla was surrounded by professionals, and a protective Mum, who all told her what she wanted, thought, and felt. Layla became a people-pleaser, cautious and fearful of a world that wasn’t designed for her. But the moments that changed Layla’s life all came from facing her fears head-on.

From seeing her first piece of creative fiction in print at the age of 21, to joining a women’s wheelchair basketball club at the age of 28, Layla discovered that disability wasn’t just something to ‘overcome’- it could be a point of pride. She found her voice, strength and a community. It showed Layla she was capable of more than she ever believed.

Since then, Layla has been become a published journalist, an advocate, and now a certified ICF life coach.

Why do you write?

I started writing for two reasons. One; talking frustrates me…as much as I do it, and I do a lot of it, talking frustrates me, because it’s difficult to get words right all the time. And I find that a lot of the time, when I have conversations, like when I have this one today, I’ll probably go away and think, you know, I really wanted to say some other stuff, and I forgot to. Or I’ve gone off on a tangent. When you write, you have time to go back and think; this is what I want to put across.

Secondly, from a disability perspective, writing is one of the careers that puts you on an even keel, because you don’t have access issues, and nobody knows you have a disability unless you declare it. It was one of the only careers where I felt everybody was kind of equal to me immediately.

When did you first start writing?

Professionally speaking, I started writing when I was 21, and when I joined Glasgow Writers’ Group. That’s when I learned what professional writing entailed, and then I got published when I was 21.

That leads me on nicely to my next question; what was your first published piece of work?

A short story which appeared in the anthology, A Thousand Cranes: Scottish Writers for Japan (published in 2011 by Cargo Publishing). One of the members of the Glasgow Writers’ Group had links to Japan, and it’s a charity anthology, raising money to support victims of the Haiti tsunami.

I will say my first piece was heavily, heavily edited by editors. Very kindly done, but heavily edited. I don’t actually remember too much about it, because I wrote it one way, and it turned out another. (Layla goes on to talk about how much she learned from initial feedback during this group later on).

Another story almost didn’t get published when I was 21. This was another anthology, with an Australian Press, and was again through a member of the Glasgow Writers’ Group who put me in touch with their publisher and I wrote a couple of pieces for them. After a couple of submissions, they said they were going to publish my work. The editor had given me lots of edits to work on. At first, my work came back absolutely heaving with red pen. And that’s quite difficult when you start off, because it immediately just knocks your confidence, and you think, I might actually just be rubbish at this. It kind of knocked the wind out my sails a wee bit.

I went back and corrected what he asked, but then accidentally sent through the wrong version for my final submission (making it look like I hadn’t fixed any of the issues!). His response to that was he wasn’t prepared to edit it again, but he did, and it went in (there was a lot going on behind the scenes). It taught me the importance of always responding to things professionally.

What did you learn from your experiences connecting with the Writers group (and editors)?

You very quickly learn not to take the red pen personally.

I had been in the Glasgow Writer’s group for a year and nobody would ever give me feedback on what I wrote. And it really annoyed me, because these were quite well known, successful writers, and I really wanted to learn from them. So eventually I was just like, I never get feedback, and I don’t understand why!

And they said, Well, mostly it’s because we don’t want to upset you. Nobody wants to upset you, because we like you.

And I was like, Right, fine, but at the same time I won’t learn, so what are you trying to say?

And basically, it was because the way I was writing was not great. When I was younger in school, people used to take notes for me, scribing for me (due to Layla’s cerebral palsy). So, I actually didn’t really learn sentence structure particularly well.

When I wrote things for the group to read, it was really long sentences and commas were in places they shouldn’t be. Looking back, it must have really frustrated everybody to the point where they could almost not read my work. Instead of saying to me, they were thinking, We don’t want to upset her, and we don’t want to put her off.

I was like, You should have just said to me, and I could have fixed this a year ago!

So then effectively, what I did was I removed all commas from my work for a year ‘till I learned how they worked, and I just kept the sentences really short.

And then I said, Can you at least read this?  Is it readable? They said yes!

Then I started to put the occasional comma back in…

It was a turning point, and I then actually started to get feedback on things.

People often think I’m this frail wee thing that they need to be careful of. And I’m like, Just tell me!

What’s really nice now is when I submit work to my editors (at the Clydesider), my editor makes me laugh as she tells me she loves it when I send my work as she doesn’t need to do anything to it. That’s great. I mean, when I think back.

We’ve covered some of this question already in the answers above, but, Who, or what, has helped you on your writing journey?

To be honest, you helped with a bunch of things (thank you Layla). There have been a lot of people that have helped me on my journey, like my friend Fleur, who I first met through the Glasgow Writers’ Group, and then she also came along to Weegie Wednesday, the writing network event (where we met). Fleur gave me feedback on a lot of things. I’ve been really, really lucky.

But I think, to be honest, it’s my own ability to ask for help and the desire to improve and to learn that has helped me a lot to develop my writing.

If I’m writing a particular format, like when I started doing interviews, I didn’t just write it. I went away and I looked and learned: This is how you structure an interview. I paid attention to the structure, before I sent it off (to my editor).

Do you have any stand-out experiences relating to your writing?

The most recent interview I did for the Clydesider, with Sister Rita, talking to her about her work at St Margaret’s Hospice in Clydebank.  I was actually front cover for that issue, as I was a featured volunteer in it, and then I had my article with Sister Rita.

I feel like I’ve outdone myself after that. (You can read Layla’s brilliant article ‘A Call to Peace’ here , in the Clydesider magazine).

What advice would you give other writers starting out?

There’s definitely a difference between when you start to write professionally and when you write for fun. And I’m now at the point where people will say to me, you’re a writer, can you look at my work? I now understand how the people in the Glasgow Writers’ group felt when I submitted my work at first.

The first question I always ask is, why are you doing this? Are you doing this for fun? Or are you doing this because you want to be published?

Because if you want to get published, the feedback I would give you is different. If you’re writing for fun, then I’m just going to tell you – the answer is just to write. To be published, you have to look at the format, and different things, that take you from the slush pile to somebody actually taking your work seriously.

But also it just changed my mentality from writing for the sake of writing, to how you write to be published, and actually also the level of detachment you have to have to actually get published. Being really precious about what you’re writing, to a certain extent, is stupid, because it’s going to go through various versions.

What experiences were pivotal for you to expand into different types of writing (moving away from fiction), and also into your coaching work?

When I went through a breakup this year, I decided, right, if you’re going to implode your entire life, then you better make the next bit you do better, like, psychologically. I’d say to myself, Being afraid isn’t necessary anymore, because you faced kind of the worst.

You know, I’ve done a lot this year that I never really thought I was capable of. I’ve done some speaking engagements where I spoke in front of 70 women. (Layla gave me permission to embed an extract of a video she sent me of the intro to the talk she delivered during International Women’s Day. See the bottom of the post for this video).

That experience kind of changed my life. It was weird how it came about. I had been in counselling and wasn’t quite ready to go things alone, so my counsellor introduced me to her daughter, Anne, who is a life coach, who could support me, but also tell me a bit about how to do coaching (something I was becoming interested in).

I think I had been Anne’s client for about a week, and this is the magic and scary thing about life coaching, how this all transpired for me…

Anne said, ‘What goals do you have?’ I told her I wanted to be an advocate for disabled people, but that I’m shit scared of public speaking. It really scares me. I don’t like doing it, but I told her, I need to do it.

Anne came back to me, and said, I’m running an event for International Women’s Day, and I need a speaker.

At first, I was like, Oh, that’s nice.

Then Anne said, That speaker is you.

My initial response was, I beg your pardon?

Anne related it to me saying I wanted to do coaching and explained to me that This was coaching. I set a goal; I achieve the goal.  She told me she would help me go through my speech so I felt ready and happy to do it, and then on the day, she was going to be there to support me. She said, So you’re going to be able to achieve that goal. That’s coaching.

I realised this is what I’d been wanting my entire life, is literally somebody to go, You’re afraid of doing that. So, I’ll help you, and go with you. Then it’s less scary.

The thing that really changed my life that day was in the section of my talk, called, Ask a disabled person a potentially embarrassing question. (Layla joked this really needs an acronym.)

I thought I would get silly questions like, ‘Do you sleep with your wheelchair?’ Which I had once and I chose not to answer, because it filled me with rage. So anyway,  I expected silly questions, and then a woman stood up and said, ‘I’ve got a son with disabilities, and I’m just wondering if you have any advice as to how to advocate for him properly?’

One of the things I remember in this moment was everybody was kind of in my eye level (as we were sitting facing one another), which was nice, and strange. And I remember looking at her face, and in my brain, I thought ‘Oh!’,  because I was just really expecting a silly question.

I admitted this to her, and then said,  ‘But you’ve asked me a really important question, so if you don’t mind, I’m going to take a wee minute so I can give you a good answer, rather than just the first answer that pops into my head.’

And so I took a wee minute and I said, ‘Look, the best answer I can give you, and is the same answer I actually told my sister in regards to my niece, because my niece has a disability. The advice I gave to her is essentially to teach your child who they are; backwards, forwards, upside down, in every situation.

Teach your son who he is, I said, ‘Because the world is going to spend all of its time telling him who he should be, what he wants, what he needs, what that means, what his life should be like, and if he doesn’t know the answers for himself, he’s not going to be able to live the life that he deserves to live. That’s all my 38 years of experience in every room I have been in.’

I had a wee moment where I was choked up because I realised I’d hopefully just changed that wee boy’s life, even although he’ll never meet me.

I’m sure you would have had the whole room in tears (Layla confirmed she did).

I know you’ll be changing lots of people’s lives with your words, Layla.

Here’s an extract of a video from the introduction of Layla’s inspiring talk from that day:

Layla at an International Women’s Day talk, earlier in the year

I’m going to finish Part 1 of Layla’s interview here.

Part 2 will be going live tomorrow evening. Please come back to read more about another pivotal moment in Layla’s life, which she refers to as her ‘three seconds of bravery’, where her perspective about her disability changed, which ultimately led her down new pathways with her writing, and to become a Disability Empowerment Coach.

You can connect with Layla on these platforms:

Website: https://www.laylabecoaching.com/about

Instagram: https://www.instagram.com/laylabecoaching/

Facebook: https://www.facebook.com/laylabecoaching

LinkedIn:

Interview with a Writer ~ Rosemary Gemmell

This week I’m delighted to welcome my writer Mum, Rosemary Gemmell, technically back to my blog, as Rosemary featured in one of my first ever author interviews, as part of a blog challenge series I did a couple of years ago in November. For this reason I let her choose between mine and my husband’s questions (from last week), to mix it up a bit this time around.

My Mum has been a massive inspiration; penning a range of wonderful books, stories, poetry and articles (as well as academic essays).

It’s thanks to my Mum I felt encouraged from a very young age to develop my writing, and then have the confidence to share it with the world (I don’t think many people are lucky enough to have that type of support from a parent). We often discuss ideas, and what we’re working on. I always trust my Mum to give me insightful and honest feedback, and am very grateful for her technical wizardry and excellent editing!

Read on to find out more about a lovely collection of Rosemary’s work titled Words for All Seasons, which would make a perfect Christmas gift!

Author Biography

Rosemary Gemmell is a Scottish novelist and freelance writer based in central Scotland. Rosemary writes contemporary and historical fiction, with occasional short stories, (many of which have won prizes), children’s fiction, articles and poems. Her short stories, articles and poems have been published in UK magazines, the US, and online.

When did you first start writing?

I first wrote creatively at high school when I went through a teenage, romantic phase and adored poetry and literature in general, so I started writing my own poetry. It was many years later before I moved on to articles, then fiction.

What do you write?

I write a little of everything: novels, short stories, articles, poetry, children’s fiction, and even a little bit of drama years ago. I’ve had lots of work published over the years and last year, I decided to put together a celebratory collection of new and previously published stories, articles and poetry along with some of my photographs to illustrate certain pieces. It was partly to highlight the different types of creative writing I enjoy and the book is divided into the four seasons – see below for a review.

Why do you write?

I write to entertain and communicate but also for self-expression and to make sense of the world, especially in non-fiction and poetry.

Share some of your favourite lines from reviews, or comments you have received about your work, which boosted your confidence (tell us what piece of work it relates to)

I’ve been lucky and honoured to have many wonderful reviews for my different books and appreciate each one as they encouraged me to keep writing. However, I don’t even mind a less praiseworthy review as long as I can learn from it.

As a change from my novels, this is a lovely review for my most recent collection, Words for all Seasons, that was published last year (in e-book, paperback and hardback):

What a treat it has been to read Words for All Seasons by Rosemary Gemmell. Her recently published collection of short stories, articles and poems is ideal for dipping into when you have a few moments to spare. The variety ensures there is something to please everyone. Conveniently divided into the four seasons, this is a book you will want to visit – and revisit – no matter what the season.

Any tips for new writers?

Keep reading, as that’s how we best learn what works and what doesn’t, and what type of writer we aspire to be.  And don’t give up at the first few hurdles – we all have to learn as we go, as in any other creative pursuit.

Do you have a regular writing routine, or do you write in frantic bursts?

Neither of the above! I’ve never really had a proper writing routine, much as I’ve often tried. I’m usually more creative in the morning but tend to write when I feel like it, or in short timespans. Sometimes, the less time I have, the better I write – perhaps because I get bored sitting too long at one task.

Where do you write? (A dedicated space, or on-the-go)

My absolute favourite way to write is in cafés or on trains with pen and paper. I’m never distracted by what’s going on around me and can happily sit in my own little bubble of creativity. Beats sitting at home on the computer, though I do have a study where I then type up what I’ve written.

Where do you get your inspiration for your books?

Inspiration for my novels often begins with characters and setting. I’m not so interested in plotting (a weakness) as characters are most important to me as a reader and writer. Once I have an initial idea, I just write and let the characters play as the story develops. I usually have a vague idea of what the story will be about and where it will be set but I like to be surprised by where each book takes me.

What do you think about the concept of AI written books?

We won’t be able to turn the clock back on AI but I hope we never get to the stage of accepting it as a way to write books, especially fiction, although I know it’s already being used. Fortunately, AI is unlikely to ever express our unique human emotions in the same way we can (I hope).

What do you do to get into a ‘creative headspace’?

If writing in my study at home, I love music playing in the background, usually classical, easy listening, or Celtic – sometimes according to what I’m writing.

Where can we find out more about you, and your books?

My website is the best option for a complete overview of all my published books:

https://www.rosemarygemmell.co.uk

Buy Words for All Seasons here

Twitter X @rosemarygemmell (I sometimes take part in #haikusaturday)

And Instagram @rosemarygemmell

Starting Out (blog post 1 of series)

Following on from my post last week this is the first of a series of blogs which delve a bit deeper into what the writing life has been like for me over the years. When I say ‘writing life’ it’s important to emphasise you can be living a writing life without sharing your words, or ever reaching publication.

My love for writing started with a love for reading and as a family we made regular visits to our local library, which at the time was in Inverclyde. My house was always bursting with books growing up and this was thanks to my Mum’s enthusiasm and passion for words. I realised some of my early favourites, such as the Nancy Drew series and Point Horror, have shaped a lot of my writing. All three of my Young Adult books (see here), feature teen sleuths who undercover the truth about some dark mysteries taking place in their Scottish villages.

I wanted this post to be a bit of an overview of what has been important to me over the years. Finding champions (people who encourage, and don’t dismiss your ideas and dreams), and attending writing focused groups/workshops/conferences to learn my craft, have been so important.

Through both, I’ve been supported to bring my stories to life, and found like-minded people to advise and steer me on my way. Being connected to others writers/creatives has kept me motivated and enthusiastic during times I have asked myself why do I devote so much time to this? What’s the point?

For me, writing truly feels like it is in my blood. Even if I take a break from time to time, (or nearly ‘give up’), something always calls from deep down inside me that makes me sit back down at my laptop or notebook (or notes page on a phone!) to shape words into some form of storytelling.

Here’s some key highlights along the way: See links at the bottom of the blog post to help you find groups/courses

  • My Mum has always been an important champion, always encouraging me to keep writing, and submit my work. When I was eleven my Mum took me along to a new writing group she was attending (Erskine Writers).This introduced me to a magical world of writers, and I realised people actually did this writing thing as a job, or at least submitted stories to magazines/competitions and books to actual publishers…and got their work in print. Over the years Erskine Writers has played a massive part in my development as a writer. It’s where I won my first writing competition and started to read out my work aloud to strangers for the first time, and get critiques from people other than my mum. It helped me develop confidence and taught me the importance of listening to feedback to improve my craft
  • When I was in primary seven my older brother indulged me by reading my illustrated Horror novella – Ye olde Castle. Sadly I never kept this notebook, probably too embarrassed by the illustrations of heads rolling down a hill during the unfortunate school trip. My head teacher at the time called me to her office, (not to give me a mental health assessment thankfully.) She encouraged me to keep writing, and showed me a book that a twelve-year-old girl had published (it was about a vegetable family, and I remember being very impressed!). I continued writing many stories during this time – the photo at the top of the blog post is a notebook that did survive. Twenty- odd years later when my first book Follow Me was launched at Waterstones my head teacher attended my launch night and I was able to thank her for her encouragement during my acknowledgements. One of many full circle moments I’ve had in my writing life
  • Another teacher champion: My first year English teacher Mrs Cook told me I was going to be the next Roald Dahl (not quite happened, but this meant a lot at the time as I had grown up loving these books!) and got my class involved in acting out (and I am sure filming!) a play I had written in my own time
  • When I was about twelve or thirteen I finished my first ‘book’ Rhea the Rollerskater and my mum helped me package it and send it off to a publisher. They sent me a very lovely rejection. I love the fact my mum encouraged the process, and the publisher was encouraging, but I think I knew I really needed to give myself a bit more time to develop my craft! And also have some fun along the way. Being too focused on publication can detract from just enjoying the process.
  • When I was seventeen my mum took me along to my first Scottish Association of Writers conference. I was delighted to witness her being presented with a first prize certificate for her short story (from Ian Rankin!) This was a weekend where I first entered a world filled with experienced authors/writers and attended workshops which taught me lots about the craft of writing and storytelling. Twenty years later I was invited to be an adjudicator at the conference. Another full circle moment in my writing life!
  • In my twenties I started getting serious about sending work out and during my early thirties in particular I was on a mission to get my work in print. I felt at this point I had developed my craft enough to write an acceptable short story that could maybe see print. I’ll do a separate post on early submissions/rejections/acceptances and how to approach this
  • Around this time I kept attending the Scottish Association of Writers, as well as attending a brilliant writing festival (that an author at SAW suggested I go to) in York. Sadly this festival no longer runs but I’ve put alternative suggestions in the links below. It was here I met face-to-face with agents for the first time to pitch my novel. What this taught me is a website can tell you only so much about an agent. Meeting them in person allowed me to see how we ‘clicked’ as well as showing me how one totally understood my story, whereas the other did not!
  • Writing friendships ~ I met some of my best friends through writing groups and at a writing networking group. Finding people who are on the same wavelength and who understand the pain and enjoyment writing can bring, as well as being a safe space to share work and your highs and lows, has been such an important part of ‘keeping going’.
  • When my debut YA novel came out I was clueless really about how anything worked in terms of how to organise talks, school events and so on. I’ll do other posts about this, but at the time joining the Society of Children’s Book Writers and Illustrators (SCBWI) and attending their conference and speaking to published authors was so helpful. Fellow published authors who invited me to, and suggested me for, small festivals/talks was so amazing and helped me a lot. Librarians were also so supportive. Signing up to the Scottish Book Trust Live Literature database has helped me secure writing talks/workshops throughout the years (and get paid for them!)

As I live in Scotland I’ve included some Scottish/UK focused links below to help you find your tribe. Happy writing!

Find a Writing Group:

These lists can help you get started: https://www.scottishbooktrust.com/writing-and-authors/writing-groups-in-scotland

https://www.scottishassociationofwriters.com/find-a-writing-group/

Use social media to help you find local groups. I found an informal Glasgow Writers meet up group via facebook

Ask your local library and community centres. Paisley central library host a local group.

Attend Conferences/Writing Festivals/Courses

https://www.scottishassociationofwriters.com/saw-conference-2025/

https://www.cymerafestival.co.uk/2024-writers-conference-programme

https://www.writersandartists.co.uk/events-and-courses

Check college websites for leisure writing courses/online writing courses. This is a great way to connect with other writers. West College Scotland started an online creative writing course in November. I’ve also seen authors I know sharing courses they are running via Dundee Lifelong Learning

Attend a Retreat:

A popular one with writer friends: https://www.moniackmhor.org.uk/courses/

One I’ve got my eye on: https://www.acornwritingretreats.com/