Today’s post focuses on Flash Fiction, and how it might help you develop your writing. I started experimenting with Flash Fiction when I got serious about sending work out to publications. Tackling 100 or 200 word stories felt less daunting in terms of potentially being able to complete something during busy periods of my life. When tackling big projects like writing a novel, there are so many moments where it can be tempting to abandon the project; especially at the ‘sticky middle’ where it can feel like the whole story might never take shape, or even at the start if you can’t quite translate the ideas in your head onto the page and your characters aren’t revealing themselves in the way you’d hoped they might.
With Flash Fiction there’s no space to let your brain slow you down with doubt, as you just need to run with your idea and let the words take shape, with the challenge of still attempting to capture a meaningful ‘moment in time’ that tells some kind of story.
When I was a teenager I loved experimenting with poetry, and for me flash fiction became an extension of that creativity, as I tend to use a lot more imagery in my shorter work. In fact one of the first pieces of work I ever got published was labelled ‘Prose Poetry’, a cross-between poetry and flash fiction. Thanks go to Amy Burns for publishing Performance in her literary journal Spilling Ink (sadly the journal is no longer). Before I started to submit Performance, it won first place in a competition, which gave me the confidence to start sending it out. It was actually accepted for the Herald Saturday story section, but when a year went by without it ever appearing in print I realised the editor had forgotten about me. I was delighted when it then found a home with Spilling Ink. This was my first taste of the rollercoaster of sending work out! You can read Performance in the short story section of my website.
There have been times where I’ve cut longer stories to fit Flash Fiction entry rules, and that in itself can be a really helpful exercise. It starts to highlight unnecessary ‘filler’ words you might use a lot, and can give you more confidence in conveying a meaning or scene without over-explaining it to your reader. It teaches you in real-time how to make every word count.
I mentioned in an earlier post that learning how to make every word count can help if you are writing pacey, fast-moving novels. If you’re writing a mystery or thriller, or tackling an unsettling topic, you want to keep your reader feeling a bit on edge, and not get bogged down in long over-written passages of narrative which have no purpose.
If you fancy giving the form a try, check out The Flash Flood Journal It’s a great place to submit flash fiction and join in with a community of writers whose work is posted throughout National Flash Fiction Day. This year National Flash Fiction Day falls on 14 June so that gives you plenty of time to work on a piece (or two). You can read some of my flash fiction which featured in the journal over the years here
I’ll leave you with some tips I shared when I delivered a flash fiction writing workshop at a local writers group.
Top Tips
- Make every word count – you don’t have much space for backstory and a lot of summarising and don’t get bogged down by unnecessary detail
- Very important to ‘show’ not tell when working with limited words – show how your character is feeling by their actions and dialogue
- Get into the action quickly – create intrigue to draw your reader in
- Create emotion – what mood do you want to create? What do you want your reader to feel? (fear, sadness, hope, humour, romance)
- Figure out what is at the heart of your story – what message do you want to get across? What are you trying to convey? Getting to the heart of your story helps you make every word count
- Be creative with strong imagery and symbolism – this can draw the reader in and help you build the mood/setting
- Still tell a story – have characters (not too many), a setting, something happening and then some kind of resolution
- Write around a single moment in your protagonist’s day/life – often location will take on a bigger meaning, or perhaps an object
- Often end with a surprise or impact – if you go for a twist try to avoid a cliché
- Read some flash fiction to give you an idea of the structure










