Interview with a Writer ~ Catarina Lilliehöök

This week I’m delighted to welcome Swedish writer Catarina Lilliehöök to my blog feature. I connected with Cat through a Facebook ‘Write Magic’ group, where writers support one another and seek advice on our publishing journeys. I’m halfway through Catarina’s spellbinding fantasy adventure The Spirit Dragon’s Keeper (Book 1 of the Polar Saga series), which combines Sami folklore and Eastern philosophy and mythology. Catarina’s biography below will give you a flavour of her beautiful writing style!

Author Biography

Catarina Lilliehöök was born in Stockholm Sweden. A former journalist and the author of two books on China, she spent over twenty years wandering ancient cities, tracing dragon lore through winding alleyways and temple shadows. Fluent in Mandarin and steeped in the cultural myths of the Far East, Catarina weaves real-world knowledge into fantasy worlds that feel lived-in and vast.

She always had a pull toward the Sámi lands (Indigenous People of the Arctic)—where the wind speaks in riddles and reindeer cross frozen lakes under star-swept skies. Now settled in Switzerland, beneath towering alpine peaks and forests thick with legend, she writes at the edge of reality. Her stories are gateways—to places where rivers remain unnamed, where memory and magic blur, and where dragons still rule the sky.

When did you first start writing?

Omg—ages ago! Too long ago to even remember, lol!

What do you write?

Epic fantasy.

What was your first published piece of work?

I was a freelance writer for many years, but that was papers and magazines. My first book was about China and cultural differences. It’s in Chinese and was published in China. Then it got translated to Japanese.

Why do you write?

You mean there’s an option? 🙂

What, or who, has helped you on your writing journey?

My teachers! I have been studying for years with several mentors from the US. Courses, workshops and writer’s retreats have all been great and super helpful. I strongly believe in investing time and money in your writing journey.

Share a writing low with us. What did you learn from this?

Sometimes a teacher can be pretty brutal. I had one in particular who was very harsh in her feedback. Once I got a manuscript back from her and completely broke down in tears, flopped over my desk and cried (yes!) I felt so useless. This wallowing misery lasted for about two weeks. Then I picked myself up and began again. I have learnt from this (and several similar episodes) that it’s usually good to put aside your hurt and pride and do what the teachers suggest. Perhaps not always, but… very often… they are right…!

Share a writing high?

Every time I am in any of my fantasy worlds—woohoo! I LOVE hiding in there, especially when all the heavy lifting is done and all I have left is fine tuning. That last bit of tweaking… I could go on forever. DO NOT DISTURB 🙂

Share some of your favourite lines from reviews, or comments you have received about your work, which boosted your confidence (tell us what piece of work it relates to)

Here are a few of my favourite feedbacks on the first instalment The Spirit Dragon’s Keeper in my current fantasy series, The Polar Saga:

Great to get the China validation:

  • Having lived in Asia for 26 years, I was especially enchanted by the vivid portrayal of ancient China and its timeless traditions. The writing was so immersive, I could almost taste the vegetarian baozi!

Love the specifically singled out stuff…

  • Favorite Quote: “But in a name rests power.”

Who doesn’t love to hear this in a series?

  • I genuinely can’t wait for the next instalment – please, please tell me its coming soon!

Any tips for new writers?

Get a teacher. Do a course. Sign up for a workshop. Do all of the above.

And for all writers; any tips for keeping motivated? And how do you find time to write?

I never have a problem with motivation or focus. I think mainly because I just “write whatever comes.” I don’t stop to think or analyze as I don’t want my brain to get involved. Then it would probably instantly stall most of my ideas. I love to change it all around later, and in any case, I find it much easier to scrap than to add on.

Do you have a regular writing routine, or do you write in frantic bursts?

I usually write five days a week depending on what I am doing (which phase). But I always take time for workouts and cooking healthy food (I’m vegan. If I want anything healthy and yummy I have to cook myself). Non negotiable. I love to work out and I love to eat.

Where do you write? (A dedicated space, or on-the-go)

Always by my desk. This is very important: good chair, good computer, good light, preferably some sort of nature view (I have moved a lot so not always possible). Peace and quiet.

Any stand-out books you have read recently?

Right now I’m  reading A Discovery of Witches by Deborah Harkness & absolutely love it! It currently runs as a series on Netflix. I’ve watched it three times.

Where can we find out more about you, and your books?

Author Website: www.lilliehookbooks.com

You can buy The Spirit Dragon’s Keeper directly from Bookhub here

Social Media (Instagram, Facebook, Tik Tok) @ catarinalilliehook

Interview with a Writer~Yasmin Hanif

Today I’m really excited to welcome my friend and writer, Yasmin Hanif, onto my blog. I first met Yasmin at an informal Writers’ meet up group, where we do writing sprints and chat about our projects, and the ups and downs of the writing life in general! (and drink nice tea and eat snacks). Yasmin has been so encouraging about my own books and writing; a real cheerleader for other writers, and this has helped me stay motivated (more than she probably realises!). I was so delighted when Yasmin told me her amazing news that Floris were going to publish her debut picture book, Abdullah’s Bear Needs A Name! and even more delighted to attend her launch at Waterstones the other week (thank you Yasmin’s Mum for the very tasty Samosas and Pakoras, and to Floris for the cake!). It’s a beautiful book and I wish Yasmin lots of success with her writing career. Read on to find out more about Yasmin’s writing journey, with links to buy her book at the bottom of the post.

Yasmin is a Scottish writer and educator, specialising in children’s literature. She was shortlisted for the Kavya Arts Prize in 2023 for her story which became her debut picture book, Abdullah’s Bear Needs A Name! (Floris, 2025). She has contributed to various poems in anthologies including ‘Daisy’s Mum’ in Stay At Home (Cranachan Publishing, 2020). She was a writer in residence at a primary school and worked on their project to promote diversity and inclusion within children’s writing and publishing, which won the SAMEE Aspiring Writers Award and the Scottish Education Curriculum Innovation Award 2022. 

When did you first start writing?

I don’t remember exactly when I first started writing but I remember that I started storytelling from a young age. My sisters and I would make up stories and act out the characters that we had created when we were little. I think that started my love for stories and writing.

What do you write?

I write all genres of children’s writing from picture books, poetry, middle grade to young adult. I also delve into short stories and poetry for adults too.

What was your first published piece of work?

I think my first written, fictional piece of work was a poem called ‘Daisy’s Mum’ in the Stay at Home anthology by Cranachan Publishing. This was a collection of specially curated poems and stories by 40 writers based in Scotland to help children aged 8-12 deal with the lockdown during the pandemic.

Why do you write?

There are so many reasons why I write from seeing the joy on people – especially kids’ faces – to the connection it brings between people, ideas, and experiences. I love the sense of humanity it brings out – the connectivity through emotions. I also love engaging with people when writing is performed whether that’s through readings or the discussions it brings about.

On a broader stroke, I think writing and bringing literature to as many people as possible is important for education and improving literacy levels; particularly making children more critical thinkers, and for them to be empowered for their future. Finally, I also enjoy creating something from scratch and I hope that my words have a positive impact on those reading them.

What, or who, has helped you on your writing journey?

So many people and things from writing communities to courses. However, I think the biggest thing that has helped me is finding like-minded people who also write in your chosen genre. They have been very supportive and it’s useful and encouraging to speak to different people at different stages of their writing career. I also worked with a local primary school in the West of Scotland when I started out as a writer. The experience I gained from that was also invaluable.

Share a writing low with us. What did you learn from this?

I had been subbing out my stories for a while and at that time I had also become unemployed from my main (non-writing) job. I kept getting rejection after rejection and it really felt like I was going nowhere. I was just about to give up when I got an email from a publisher saying they loved my book and were taking it to an acquisitions meeting. I really needed that. I learned that hard times can last a long, long time but the most important thing is that they don’t last. So never give up or at least keep going.

Share a writing high?

I recently had my debut book launch at Waterstones, and it was a real dream come true for me. I had friends and family there and did a Q&A and reading from the book. It was a surreal moment being on that stage answering questions and engaging with the audience. There was also homemade food which was themed with the Eid feast in the book and a bookish cake with good chatter. I was on a high from it for about 2 and half days after it!

Share some of your favourite lines from reviews, or comments you have received about your work, which boosted your confidence (tell us what piece of work it relates to)

As I mentioned, I recently had my debut picture book, Abdullah’s Bear Needs A Name! published (illustrated by the very talented Sophie Benmouyal) and received a wonderful review by Kids’ Literature Scotland:

“A beautiful and necessary book. It is wonderful when Scottish children from all cultural backgrounds see themselves reflected in stories…This gorgeous picture book is an encouraging step on that journey.”   

Any tips for new writers?

I would say keep writing, learning, experimenting in your practice and meeting like-minded people. Soak it all up and enjoy the process – from that will come your creativity and possibly your best pieces.

And for all writers; any tips for keeping motivated? And how do you find time to write?

Motivation and finding the time to write can be two of the most challenging things. Through motivation you write, and conversely through writing you find motivation, so it goes hand in hand. As I mentioned about find likeminded people to write with, whether that’s informal creative writing groups, workshops, retreats – somewhere where others are writing too, which helps you stay motivated and accountable.

Do you have a regular writing routine, or do you write in frantic bursts?

I do write in frantic bursts! I always use the phrase, ‘I try to steal time if I can’ – what that means is finding little pockets of time whether that’s 5mins or 25mins!

Where do you write? (A dedicated space, or on-the-go)

I mostly write at home, but I find I do need to switch it up occasionally to keep inspired so I’ll write in my local library or with a friend in a public space like a university or café.

Any stand-out books you have read recently?

I like reading autobiographies and memoirs, and really enjoyed Matthew Perry’s memoir, Friends, Lovers and the Big Terrible Thing. I found it incredibly honest, raw and captivating.

For children’s literature, I’m currently reading The Highland Falcon Thief by M.G. Leonard and Sam Sedgman. I’ve only started reading it but so far so good!

Where can we find your book and find out more about you?

Links to buy Yasmin’s book here: Yasmin Hanif books and biography | Waterstones

Abdullah’s Bear Needs a Name! – DiscoverKelpies

You can follow Yasmin on Instagram:  @yhwrites

Re-framing Rejection

Mysticartdesign Image – Pixabay

Recently I re-read Stephen King’s ‘On Writing’ and for me, it still stands out as one of the best books focusing on ‘the craft’. The memoir conversational style of writing throughout creates a very honest and accessible account of King’s journey to becoming a best-selling author, with the technical advice neatly threaded into the narrative in a way that makes you think this guy clearly knows what he’s talking about, as you can read he’s a natural storyteller within the pages of this book.

Things that struck me this time around when I was reading was the fearlessness and tenacity King showed as a young writer when he would study the stories in numerous short story publications, then submit, submit, submit. If he got a rejection (and there were many as he started out), he simply kept going, often re-working and quickly re-submitting elsewhere, all the time consciously developing his craft. He did what we should all do really – don’t dwell on the ‘no’, just strive to get better and to find your story a home where it fits. (Keep reading on and I’ll share a challenge which might help with this)

Ironically the one time King nearly gave up on a piece of writing was with Carrie, his debut novel that launched his career. When he started to write Carrie, it was as a short story, and he felt it just wasn’t working. I love the way King threads in stories about his wife Tabitha, often reminiscing about how she has supported him at key moments throughout his career. Nothing better illustrates this than when Tabitha retrieves the crumpled pages of Carrie out of the bin and tells King to keep going because she wants to see how the story ends. King reflects on what his experience with Carrie taught him and I’ll quote an abridged version here;

Don’t stop a piece of work because it’s hard (emotionally or imaginatively). Keep going even when you don’t feel like it, and ‘sometimes you’re doing good work when it feels like all you’re managing is shoveling shit from a sitting position.’ pg.82

Another section which stood out to me was when King described ‘the first time in (his) life, (when) writing was hard’. This was when he was working as a teacher, and even although he acknowledged the good parts – loving the kids and co-workers – he described ending the week feeling like he had ‘jumper cables clamped to (his) brain.’ (pg. 76) and it was the one time he, ..’came close to despairing about (his) future as a writer.’ I’ve included this in this post as it’s something, even with dropping a day at work, that really resonates with me. With a caseload of close to one hundred young people (doing indepth one to one work), and I’m now in an education setting one day a week, I understand the ‘jumper cables clamped to my brain’ description very well. It takes a lot to decompress, and stay creative.

Staying motivated to write when you have a lot of other things competing with your time is difficult. Especially if you don’t always see much reward.

So, something else I read lately which caught my attention, and actually gave me a spark of motivation, was an article about setting yourself Rejection Goals. You can read ‘Why You should aim to get 100 Rejections a Year’ here (The author of the article Kim Liao actually references King’s On Writing and the way he collected his initial rejections, nailing them to the wall, like a badge of honour).

The idea behind the 100 rejections goal is the more you submit, the more acceptances you are likely to get, and it quietens ‘your fragile ego.’ The perfectionist in me, never mind my fragile creative ego, thinks the psychology of this one is quite clever – if I can trick my brain into thinking my aim is to reach 100 rejections, I’m going to let go of any nagging doubts that I’m not good enough, and to let go of any disappointments of ‘set-backs’ because that simply is no longer the objective of my task.

So if you’re reading this and it seems like a great new challenge to embark upon, why don’t you join me?

We can sail into 2023 with the aim of racking up a lot of ‘nos’, or in the case of modern publishing, a big empty silence of never hearing back …

Good luck!